On Saturday, November 8, I'll be teaching my Plot Master Class as a one-day workshop to benefit Park Slope United Methodist Church in Brooklyn, New York. The Master Class forces you to take an in-depth look at the plot of your manuscript through the pre-class homework; then I dissect all of the elements of plot in the course of the workshop; and then we put everything back together again by the end, at which point you should have plenty of knowledge about making plots operate effectively, and a number of tools to strengthen your own. It's the most popular course I offer, as I've taught it both online and at multiple locations around the country, and while it's always an intense* day, it's always a lot of fun too.
And this edition is truly for a good cause, as all proceeds will go directly to Park Slope United Methodist, my lovely, progressive, inclusive, social justice-minded church in Brooklyn,** which will also host the event. As this is being independently organized, you do not have to be a member of SCBWI or any other writers' group to attend; all you have to have is a manuscript in mind, a curiosity about plot, the fee, and the ability to get to Brooklyn on Saturday the 8th. Please check out the registration page here, and if you have any other questions, feel free to e-mail me through that page or leave them in the comments below. Thank you!
Oh! And while I am here and talking publishing: The newest episode of The Narrative Breakdown features me and Katy Beebe -- also known as KTBB among commenters here, also known as my best friend -- talking about query letters. Katy wrote the original Query Letter from Hell that appears in Second Sight, and anyone who can parody something better know her subject inside and out. And indeed, Katy also wrote an impeccable query letter for her picture book Brother Hugo and the Bear, which was published by Eerdmans earlier this year.
We discuss both of these queries in the course of the episode, and throw in some advice on copyright, synopses, and effective summaries besides. Please check the show out!
And this edition is truly for a good cause, as all proceeds will go directly to Park Slope United Methodist, my lovely, progressive, inclusive, social justice-minded church in Brooklyn,** which will also host the event. As this is being independently organized, you do not have to be a member of SCBWI or any other writers' group to attend; all you have to have is a manuscript in mind, a curiosity about plot, the fee, and the ability to get to Brooklyn on Saturday the 8th. Please check out the registration page here, and if you have any other questions, feel free to e-mail me through that page or leave them in the comments below. Thank you!
Oh! And while I am here and talking publishing: The newest episode of The Narrative Breakdown features me and Katy Beebe -- also known as KTBB among commenters here, also known as my best friend -- talking about query letters. Katy wrote the original Query Letter from Hell that appears in Second Sight, and anyone who can parody something better know her subject inside and out. And indeed, Katy also wrote an impeccable query letter for her picture book Brother Hugo and the Bear, which was published by Eerdmans earlier this year.
We discuss both of these queries in the course of the episode, and throw in some advice on copyright, synopses, and effective summaries besides. Please check the show out!
Oh! Part Two: On October 4 at 2 p.m., authors Joseph Bruchac and Eric Gansworth and their editors -- Stacy Whitman of Tu Books and moi, respectively -- will gather at the New York Public Library at 42nd St. for a public conversation with Betsy Bird about the writing, editing, and publishing of Native American YA fiction. I'm super excited about this panel, as I learned a great deal from working with Eric on his terrific YA novel IF I EVER GET OUT OF HERE, and it's rare to get an opportunity to talk about those lessons and share those experiences. Please check this out too!
_____________________________
* Read: slightly brain-melting (but in an enjoyable way).
** If you want to take the Master Class but for some reason you object to the funds going to a church, let me know, and I'm sure we can work something out.
_____________________________
* Read: slightly brain-melting (but in an enjoyable way).
** If you want to take the Master Class but for some reason you object to the funds going to a church, let me know, and I'm sure we can work something out.