FAQ #Something: Do I have to finish the manuscript before I send you a query letter or the first two chapters?

I’ve gone both ways on this question in the past, but I thought about it a little more over the last week, and I’ve decided: Yes. Yes, you do. Because, as Maxwell Perkins said, "You can't know a book until you come to the end of it, and then all the rest must be modified to fit that"; and because what you want to send, and what I want to see, is your very best work—a draft you’ve completed, thought about, reread, tweaked, polished, perhaps had other people read, and in general taken to the point where you’ve done everything you can with it, and you’re ready for an editor’s (or agent's) opinion or advice. And no matter how assiduously you plan out your writing, I don’t think you can know what your very best work is until you’ve actually written it. So yes: Finish the manuscript first.

The Quote File: Abraham Joshua Heschel

I was introduced to the name and thought of Abraham Joshua Heschel through a passing mention in a Spring 2009 novel, Marcelo in the Real World by Francisco X. Stork. Most of the quotes below were taken from his Wikipedia page, but that doesn't make them any the less thought-provoking or worthy:

  • "Wonder rather than doubt is the root of all knowledge."
  • "A religious man is a person who holds God and man in one thought at one time, at all times, who suffers no harm done to others, whose greatest passion is compassion, whose greatest strength is love and defiance of despair."
  • "Racism is man's gravest threat to man -- the maximum hatred for a minimum reason."
  • "All it takes is one person… and another… and another… and another… to start a movement."
  • "God is of no importance unless He is of utmost importance."
  • "Just to be is a blessing. Just to live is holy."
  • "Self-respect is the fruit of discipline; the sense of dignity grows with the ability to say no to oneself."
  • "Life without commitment is not worth living."
  • "In regard to cruelties committed in the name of a free society, some are guilty, while all are responsible."
  • "When I was young, I admired clever people. Now that I am old, I admire kind people."
  • "Indifference to the sublime wonder of living is the root of sin."
  • "Truth is often gray, and deceit is full of splendor. One must hunger fiercely after Truth to be able to cherish it."
  • "Remember that there is a meaning beyond absurdity. Be sure that every little deed counts, that every word has power. Never forget that you can still do your share to redeem the world in spite of all absurdities and frustrations and disappointments."

Wish Me Luck with American Airlines.

And now I go away AGAIN for a grand Midwestern tour of Minnesota (hi Carleton friends!), Missouri (hi family!), and Chicago (hi Harry Potter fans!). I should be packing, but bah! Packing! Some fun things instead:
Books I'm taking with me on this trip: Friday's Child by Georgette Heyer and The Brief Wondrous Life of Oscar Wao (to finish it finally!) by Junot Diaz.

* New Yorkers: It's an allusion to Garth Brooks's song "Friends in Low Places." And if you'll pardon me, I'm now going to step on down to the Ohhhh-asis . . . after I finish packing.

You Can Check Out Any Time You Like . . .

. . . and I did manage to leave California! (Insert guitar riff here.)

Some things I rode on my recent vacation, more or less in order:
  • A JetBlue plane to Oakland
  • A hotel shuttle van
  • The BART train
  • The Caltrain to San Jose
  • A rental car
  • A Southwest flight to Orange County
  • Many private cars of James's family and friends
  • A boogie board in the ocean off San Clemente -- the first time I've swum in the Pacific
  • The L.A. Metrolink commuter train
  • The L.A. Metro subway -- so much cleaner and better at station (and Internet) communication than our New York subway system
  • Many L.A. Metro buses -- ditto
  • The Getty Center tramway
  • The L.A. Metro light rail
  • A taxi
  • A Warner Bros. tram for the studio tour
  • A JetBlue plane to New York
  • And the Airtrain and the A and F subway trains to JFK and back -- not clean or communicative, but mine and therefore home.
On Wednesday we saw "The Dark Knight," which is marvelous and horrifying. "Iron Man" earlier this summer represented all the light and bright and sparkling parts of comic books: wisecracking heroes, and cool gadgets and superpowers, and cute redheaded assistants in heels, and big fights with clearly identified bad guys -- very BAM! POW! ZOWIE! (And hugely enjoyable: I saw it twice in the theatre.) "The Dark Knight" is the flip side of that, dark and serious and thoughtful: a hero who wants to give up his cape, who questions the wisdom and right use of his gadgets and superpowers, with a ladylove who's involved with someone else, and thematic and character doubling everywhere you look. It's the graphic novel as opposed to the comic book, or a superhero film as made by Ingmar Bergman, with late Hitchcock nodding in for the action sequences. Heath Ledger clearly looked deep into the abyss for his role as the Joker, and the skill of his performance underlines the tremendous loss -- that, possibly, he couldn't look away. Perfectly controlled, brilliant, terrifying. I wouldn't take anyone under the age of a very mature 12, as the Joker's nihilism and violence are deeply disturbing. But for adults, it is eminently worth seeing, for the intelligence and ambition of the plotting and themes, the quality of the performances, and the final sense of hope at the end -- not the individual exuberance of "Iron Man," but a communal hope tempered by the knowledge of the world's darkness, and strengthened in the knowledge of how that darkness can be overcome. Excellent film.

N.B.: I saw it in IMAX, and if it's at all possible for you to see it in IMAX, I strongly recommend you expend the extra effort and money for the aerial shots of Gotham City and Hong Kong alone. Other reviews: Scott Foundas in L.A. Weekly; Todd Alcott; Reverse Shot, which disliked it.

And the Warner Bros. studio tour was great fun -- I saw the exterior of the orphanage from "Annie" (my favorite movie when I was six); looked in the windows of Luke's diner from "Gilmore Girls" and walked around the Star's Hollow town square; at a distance, caught a little bit of a taping of "Pushing Daisies" (the great spoiler I can reveal exclusively here: Anna Friel will wear a yellow dress and step out of a door in a future episode); sat on the couch from "Friends"; and, most excitingly for me, found an entire floor of Harry Potter memorabilia in the studio museum. A model Acromantula! The flying Ford Anglia! Hermione's Yule Ball gown! The Sorting Hat (or whoever was running it) mistakenly named me a Hufflepuff (I'm straight-up Ravenclaw, baby), but it correctly identified James as a long-lost Weasley cousin and assigned him to Gryffindor.

Finally, on the reading/work front, I finished Away, which I very much admired, and A Civil Contract by Georgette Heyer, a most unusual romance novel, and I'm about two-thirds of the way through Brideshead Revisited, which I don't especially like but seem compelled to go forward with (much the same way the protagonist relates to the Brideshead family, actually). And I wrote the illustration notes and a solid first draft of my Terminus speech, and bought two excellent pairs of Clarks sandals on sale. So, altogether, a successful vacation.

Away for Vacay -- Hooray!

I am off tomorrow for a week's-plus vacation in California with James, seeing various friends and family members of his and hopefully catching up on sleep and relaxing. On the other hand, I'm also planning to write two speeches, a set of illustration notes, and notes on a manuscript while we travel -- no rest for the wicked or the terminally overcommitted.

(I will leave it to you to judge which category I fall into.)

Books I'm taking: Brideshead Revisited, because Emily in our office was shocked I have never read it and insists I must before the movie comes out; Away, by Amy Bloom, Arthur's favorite book of last year; and Harry Potter and the Sorcerer's Stone, to inspire thinking for one of the speeches. I really wanted something light and vacationy . . . a Georgette Heyer, ideally . . . and wait! I think I have one of those at work! So I will pick that up tomorrow before I head out, and go to bed soon happy.

Also to help me with that same speech (for Terminus): Would you please vote in the poll about which of the HP books is your favorite, and, if you have a critical reason on why it's your favorite and not just a personal/sentimental one*, tell me (briefly) why it's your favorite in the comments? I have my guess about which one is going to come out on top, and I'm very interested to see if I'm right.

* Meaning that, say, you love Goblet of Fire because you think the action scenes are the most compelling there, and not just because you met your True Love while waiting in line for it at a midnight release party. That would be very sweet, but not quite so useful for my speech. :-)

Five jokes you can tell about Barack Obama.

Have you checked out Dr. Horrible's Sing-Along Blog yet? It is FABULOUS. Part I is up for one week only, so grab it while you can.

Also, the High School Musical 3 trailer is out! Squee!

I might nod in here sometime in the next week, but in case I do not, have a lovely most of the rest of your July . . .

Slothful Saturday Scoops

A lazy Saturday morning here, where I am still sitting in my pajamas in front of my box fan on my bed at 11 a.m. The sun is milky, the street is quiet, the day stretches before me, as langorous and unscheduled as a cat.

(I am not sure whether that's a good simile or not, but it's Saturday and I'm feeling lazy (too lazy to find another word so I'm not repeating myself, even). So what the hell.)


Next Kidlit Drinks Night!
And it's a Very Special Swanky Summer Kidlit Drinks Night, on July 29 at 6:30 p.m. We're abandoning our downscale punk digs at Sweet & Vicious and heading uptown to someplace I've always wanted to visit -- the Library Hotel, at 299 Madison Ave. (at 41st St.), and its Bookmarks Lounge, which has an outdoor roof deck. See you all there!

Submissions News, Part I: Most of the June-to-mid-July SQUIDs went out yesterday. The remainder will follow this coming week.

Submissions News, Part II:
I am closing to most unagented submissions for the next two and a half months -- through October 1, 2008 -- to give me time to try to really, truly, once-and-for-all clear out my backlog (the goal is to have this done by my 30th birthday in September, to start that fourth decade with a clean slate). Agented submissions are still very much welcome; or if I have requested a revision of a manuscript from you, or you were at the New Jersey SCBWI conference and have the sticker to prove it, you can still send submissions along as well. But no new unagented or unsolicited manuscripts until further notice, please.

A bit of advice: In this latest batch of SQUIDs, I noticed one sneaky Pete tried to circumvent the one-ms.-at-a-time rule by sending three different manuscripts in three different genres under three different names. The giveaways? The three names all shared common elements; the addresses were all along the same road in a rural part of a Midwestern state; the three manuscripts were dated within five days of one another; and all three query letters began in the exact same way: "Attention Ms. Klein: My manuscript [title] is a [number]-word [genre] about [subject]," in the same font.

Do not do this, people. It is not cool. We editors are not stupid; we notice these things, and they annoy us, and that hurts your chances of getting any of the three ms. through, as I don't want to work with someone who tries to trick me. Send me your one best ms. that seems most suited to me based on what else I edit, and wait your turn.

(My favorite Sneaky-Writer-Outwitted story: Back when I was Arthur's editorial assistant, we received a manuscript set among smugglers in Dorset, beautifully "written" by a woman who claimed to have been working on it for ages. But two things set my antennae humming: one, the "manuscript" was already formatted and typeset into book form, and two, the style and subject matter were distinctly old-fashioned -- still interesting, but not like most contemporary ms. we see, and not in a self-aware retro manner, either. So out of curiosity, I Googled the first sentence, and it took me straight to this page for Moonfleet, on the public-domain literature website Bibliomania.

Hmmm.

So I called the number given on the cover letter and the woman picked up. I identified myself and where I worked, and she said "Oh, hello" -- excitement rising in her voice at getting a call from a publisher.

"Yes, I was very intrigued by the manuscript that you submitted. You wrote this book?" I said.

"Yes, I've been working on it for years and years," she said.

So I told her what I had found online -- that the text of her book exactly matched the text of Moonfleet by J. Meade Falkner -- and she said very quickly, "I've never heard of that book or that author," and hung up.

And that was kind of fun, foiling a literary fake. But the practice of faking? Not cool, people. Not cool at all.)

Happinesses of the Season: My new laptop battery (it sustains a charge for three hours rather than five minutes!); cute summer dresses and sandals; sangria; the Frames' Fitzcarraldo and The Cost; This Book Isn't Fat, It's Fabulous, by Nina Beck, which is indeed fabulous (and which, if you know the author, is exactly like spending a couple hours with her), and Paper Towns by John Green, which made me laugh out loud more than any book so far this year; Scharffen Berger chocolate.

The Arthur A. Levine Books Fall 2008 List

In alphabetical order by title:

CARLOS IS GONNA GET IT, by Kevin Emerson. Debut novel. I was the first reader on this manuscript, and from the very first time I turned over the final page, I thought, Wow -- this one's really something special. It's the story of Trina, one of the good kids at her inner-city Boston middle school, and Carlos, who is every nice but deeply troubled kid you've ever seen. Carlos always breaks up the class and gets everyone in trouble with his "Day Afters," and eventually Trina and her friends decide that they need to teach him a lesson. But then Trina is assigned to be Carlos's partner on a class project, and their work together shows her both his kindness and his genuine needs. Will Trina go along with her friends in their plan, or choose to stand with Carlos? The voice is spot-on, and the plot always makes me think of John Gardner's marvelous quote "Real suspense comes from moral dilemma and the courage to make and act upon choices," because it is loaded with that moral dilemma and the accompanying real suspense -- as unputdownable in its way as THE HUNGER GAMES. And Kevin taught in a Boston middle school very much like the one depicted here, so he knows whereof he writes. Keep an eye out for it.

CROSSING TO PARADISE, by Kevin Crossley-Holland. I worked on this one, so I will write more about it around publication time; and for now I'll just list some of the many wonderful things it is:

* A gorgeous account of a medieval pilgrimage to Jerusalem, including stops in London, Carcassonne, Venice, and the Holy City itself
* A terrific and atmospheric adventure
* A thoroughly Austenian moral education for Gatty, its main character
* The standalone companion book to Kevin's equally marvelous Arthur trilogy (The Seeing Stone; At the Crossing-Places; King of the Middle March)
* And as such, the conclusion and crescendo of Gatty's own story.

And the writing here -- the writing! Swoon -- as delicious and succulent as the Middle Eastern fruits that Gatty tastes for the first time. (N.B. This was the book about which I wrote this post.)

THE GATE OF DAYS: The Book of Time II, by Guillaume Prevost, translated by William Rodarmor. The sequel to THE BOOK OF TIME (which is out in paperback now), and formerly known as THE SEVEN COINS, before we decided this title sounded cooler and reflected the book better. If the great plot question of the first book was "Where in Time is Sam's dad?", the great plot question of this book is "Why did Sam's dad go back in Time anyway? And does the thief now stalking Sam through the ages have anything to do with it?" You find out the answers to one of these questions by the end, and it's a doozy. Guillaume continues to work interesting twists on the familiar time-travel questions (e.g. "What if you meet your grandmother?"), and backs it up with impeccable historical detail and breakneck pacing. . . . Like Rick Riordan's Percy Jackson series, there's action in almost every chapter, and the excellent translation reads smoothly enough (I hope!) to grip even reluctant boy readers. More on this coming later too.


HER MOTHER'S FACE by Roddy Doyle, illustrated by Freya Blackwood. I couldn't track down a cover for this one today, alas, but I'll try to add it later. This is Roddy's first picture book, and our second book with the lovely, lovely Freya Blackwood and her lovely, lovely art, the first being HALF A WORLD AWAY. It's the story of a pretty Irish girl named Siobhan and her quest to rediscover her late mother's face -- funny, poignant, sweet, sad.


WAYS TO LIVE FOREVER by Sally Nicholls. Debut novel, the winner of the Waterstone's Children's Book Prize in the U.K. (where it was originally edited by our Scholastic UK colleague Marion Lloyd), and without a doubt the Book Most Likely to Make Arthur A. Levine Books Staff Weep, as I know we've all teared up over it when reviewing passes or proofs. Nine-year-old Sam has leukemia, and as the doctors approach the end of what they can do for him, he writes down his ambitions and Big Questions in a way that is always honest and true, often funny, and never mawkish. You can read a rave review from Mal Peet in The Guardian here.



Thank you for looking out for all of these books this fall!

All Good Things

  • Jott, a phone/e-mail service that allows you to call a number, name a recipient, record a voice message, and then have that voice message delivered to the recipient as both a text message and e-mail, FREE. It's pretty amazing.
  • Wall-E: What everyone else in the world has said.
  • Hancock: Not a perfect movie by any means, but an altogether original take on the superhero mythos, with some laugh-out-loud funny moments and excellent performances. Worth seeing.
  • Reprise: Or if you'd rather take in foreign-language cinema, which definitely needs your support more than those Hollywood blockbusters do, check out this rambunctious Norwegian film following two young men submitting their first novels for publication. One gets published instantly; one doesn't; and its vision of friendship, love, the literary life, and being artistic and serious in your twenties unfolds with wonderful truth and verve.
  • Lyle Lovett live: He is touring, with his Large Band and a full gospel choir, and he is genius.
  • Harry and the Potters: They are also touring, with the Unlimited Enthusiasm Expo, and they are also genius -- where else will you see Albus Dumbledore rapping about his love for tenpin bowling? The only sad moment of this concert for me was when tour partner band Uncle Monsterface launched into an unorthodox cover of "Like a Prayer," and I realized none of my fellow concertgoers were singing along to the lyrics because they were too young to know them. Kids today just don't appreciate the classics. (Though glory, that video has not aged well.)
  • Sagamore Hill: Being history dorks, this weekend James and I took the Long Island Railroad out to Oyster Bay to visit Theodore Roosevelt's family home, which has been almost perfectly preserved as it was when he lived there. Every room was filled with interesting memorabilia (especially animal heads or skins), decorations, and especially books: Apparently at one point TR read three books a day! I came away with even more respect for his energy and courage, and I recommend his house to New Yorkers for a grand day out.
  • Word Challenge on Facebook.
  • Ice cream.

The Annual Frivolous Foot Photo, and Excellent Revision Advice

I got a pretty pedicure this morning, so here is my annual Frivolous Foot Photo:

Yay! (Previous Photos: 2005-I; 2005-II; 2006. Just in case anyone thought this blog was, you know, serious.)

(Though this post does demonstrate the power of the capital letter, for if I called this a "frivolous Foot Photo," I would be calling the photo frivolous; whereas by calling it a "Frivolous Foot Photo," I am calling my feet frivolous. A hugely important distinction, as you can tell, though I have to admit "frivolous Frivolous Foot Photo" would be most accurate.)

But in totally non-frivolous news: If you're a novelist, I command you to read this article by Anita Nolan (PDF, linked at "The End Is Only the Beginning") on self-editing a revision. It is the best list of practical writing and rewriting tips I have seen in a very long time, or possibly ever. (With, of course, the caveat at the end of the article, that you should know what works for you in your writing process and voice and follow those first.) I've already taken things from it to use in my own editing. Seriously, seriously, seriously, check it out.

Finally, new poll, just for my own curiosity. Thank you for voting!

Interview with Editor Janet Silver

Poets and Writers has a really wonderful interview up with Janet Silver, the former Houghton Mifflin adult publisher who edited Jhumpa Lahiri's The Interpreter of Maladies and Jonathan Safran Foer's Extremely Loud and Incredibly Close. Three excerpts that resonated for me:
  • "There are a couple of things I see in first fiction that always tell me something is not for me. The first is usually in fiction by young women. There will be a young female protagonist with a vaguely artistic temperament who goes to New York to do something. At some point, usually about page ten, she looks in the mirror and describes herself. And you see this device in many wonderful novels—this is the way the author's going to let the reader know what the narrator or main character looks like—but now you just see it too much. So I usually get to that on page ten and say, "Not interested."" [Cheryl says, Ha!]
  • Tell me about a particularly memorable editing experience. "Peter Ho Davies comes to mind. The greatest thing for an editor is when you read a manuscript, you give some comments, and then the author goes off and does something completely different from what you expected, but it's brilliant and wonderful. With some of Peter's stories, especially that one I was just describing, I gave him some comments, and the story came back about three times as long. So there was this kind of ebullient response from him—a kind of magnanimous sense of possibility."
  • Tell writers one thing about agents that they don't know but should. "That they can ask a lot of questions; that they should ask a lot of questions. I think that writers, especially first-time writers, sometimes feel as though, "Well, whatever the agent says. Of course the agent knows best." But in the same way that I think authors should be having conversations and asking a lot of questions of editors, they should ask potential agents, "Okay, whom do you represent? Which houses do you work with? Which editors do you like? How do you go about deciding where you're going to send something?" I'm just astonished again and again when I talk to writers at writing programs that they don't know they can ask those questions."

Read the whole thing here.

The Quote File: Truth

There are only two mistakes one can make on the road to truth, not beginning and not finishing. -- Buddha

. . . when you have eliminated the impossible, whatever remains, however improbable, must be the truth. -- Sir Arthur Conan Doyle

Education is not merely a means for earning a living or an instrument for the acquisition of wealth. It is an initiation into a life of spirit, a training of the human soul in the pursuit of truth and the practice of virtue. -- Vijaya Lakshmi Pandit

There are few human beings who receive the truth, complete and staggering, by instant illumination. Most of them acquire it fragment by fragment, on a small scale, by successive developments, cellularly, like a laborious mosaic. -- Anais Nin

We taste and feel and see the truth. We do not reason ourselves into it. -— William Butler Yeats

You must accept the truth from whatever source it comes. -- Moses ben Maimon

Like many of the people I had read about, I set out on a long journey to find truth and beauty. As usual, the road led straight back to the beginning: home, country roads, the sun setting through the woods. –- Joyce Sutphen

A fact is not a truth until you love it. –- John Keats

Defending the truth is not something one does out of a sense of duty or to allay guilt complexes, but is a reward in itself. -- Simone de Beauvoir

Love truth, but pardon error. -– Voltaire

It is error only, and not truth, that shrinks from inquiry. -- Thomas Paine

Everyone wishes to have truth on his side, but not everyone wishes to be on the side of truth. -- Richard Whately

Truth does not change according to our ability to stomach it. -- Flannery O'Connor

The high-minded man must care more for the truth than for what people think. -- Aristotle

How dreadful knowledge of the truth can be when there's no help in the truth. -- Sophocles

It does not require many words to speak the truth. -- Chief Joseph

Truth may be stretched but cannot be broken. It always gets above falsehood as oil does above water. -- Miguel de Cervantes

Believe those who are seeking the truth. Doubt those who find it. -- Andre Gide

The folly of mistaking a paradox for a discovery, a metaphor for a proof, a torrent of verbiage for a spring of capital truths, and oneself for an oracle, is inborn in us. -- Paul Valery

All truth passes through three stages. First, it is ridiculed. Second, it is violently opposed. Third, it is accepted as being self-evident. -- Arthur Schopenhauer

One owes respect to the living. To the dead, one owes only the truth. -- Voltaire

What is laid down, ordered, factual is never enough to embrace the whole truth: life always spills over the rim of every cup. -– Boris Pasternak

More New York City Coolness

Since you were interested in New York City activities . . .

James and I rode bikes down to the Brooklyn shore for his birthday recently. Here I am with the Verrazano-Narrows bridge (the one for which I crashed the Marathon).

On that same jaunt, we randomly found a Norwegian festival in a Bay Ridge park. Here James poses with a Viking ship.

Self-portrait in a multilayered mirror, taken at the Olafur Eliasson exhibit at P.S. 1 last Saturday. I highly recommend both that exhibit and its MoMA half for beauty, simplicity, and elegance. It's closing soon, so go! Go!
Finally, Angela Gheorghiu performs in Prospect Park in Brooklyn last night as part of the Metropolitan Opera's "Met in the Parks" program. It was a gorgeous evening, 75 and sunny, and New Yorkers covered the south end of the Long Meadow to picnic and see Ms. Gheorghiu, her husband Roberto Alagna, and the Met Orchestra and Chorus perform selections from The Pearl Fishers, La Traviata, Il Trovatore, Nabucco, and others. After a ten-song program, the couple did, I think, eight encores, which was a bit much -- but as they included "Nessun dorma" from Turandot (surely one of the most beautiful pieces of music ever) and "O Sole Mio" from Trovatore (yes? they also turned it around and sang "It's Now or Never" by Elvis, which, I had never realized, uses the "Sole Mio" melody), I cannot complain.

Hooray for New York!

Pollarities

There is a new poll up on the right, because I'd like to know from what basis most writers begin their stories. Do you start with a plot? A character? A sentence that floats into your brain? This highly scientific poll* will reveal the trend once and for all. (For the record, I tried to change the font color of the options, but Blogger lets you personalize everything but that, it seems. Apologies! You can highlight the text for easier reading.)


* Not.

Live from New York

On Thursday night, my book group met in Soho for dinner*, with gelato at Ciao Bella afterward. It was a beautiful night, and I got the gelato in a cone, so I decided to walk partway home -- at least across the Brooklyn Bridge, which is probably my very favorite walk on Earth. I strolled through Little Italy, Chinatown, and the arches of our beautiful Municipal Building**, then began the long, lovely walk across the bridge itself. About halfway across, I noticed some bright red, white, and blue lights down on Fulton Ferry Landing***, set up around a metal stage, and as I didn't have anywhere to be particularly, I decided to check it out.

First I came across this:

(Image from here.) It's the Telectroscope, which allowed me to see two very nice security guards at the London Bridge at 2 a.m., and we gave each other a transatlantic wave. Then I continued on towards the red, white, and blue stage, which stood behind a large, open gate, with a thin guy in a black t-shirt standing guard.

"Hey, would you like to be in the audience for the Macy's Fourth of July Spectacular starring Kenny Chesney?" he said.

I'm not a big country music fan, but this opportunity clearly was too absurd and/or awesome to pass up, so I said yes, he issued me a little American flag, and I went to stand by the stage. It was decorated with bright red, white, and blue stars bearing the Macy's logo, so I figured they were pre-taping a concert segment to precede the fireworks on the Fourth. (Which makes sense -- the Landing must be mobbed on the Fourth, as it has a prime view of those same Macy's fireworks.) My fellow audience members seemed to be half tourists, half extremely bemused New Yorkers. The three twentysomething Brooklynites behind me talked loudly about how they were only hanging out here until 9:30, and if something hadn't happened by then, they were going to leave and go to the bar because they were missing the Lakers game for some country singer and that was just not cool. A guy from Texas to my left pointed out the Watchtower building to his companion and told her it was owned by the Christian Scientists. (I kept my mouth shut.) Various women in cowboy hats waved their "I Love You Kenny!!" signs hopefully and started "Ken-NEE, Ken-NEE" chants to encourage him to appear.

And right about 9:30, he did, along with his excellent backing band. They taped a performance of his song "Never Wanted Nothing More" three times; I had never heard it before, but in listening to the lyrics, I was amused to note they mentioned his truck, his woman, and the Lord, thus scoring a perfect country-music hat trick. And Mr. Chesney seems like a very nice guy, albeit deaf to all the women screaming "I Love You Kenny!" -- I guess if you hear that from perfect strangers every single day, the words could lose meaning pretty easily, which seems a shame. If you watch the Spectacular on the 4th, I'm standing in the audience off to Kenny's right, enthusiastically waving my little American flag and, by the third go-round, singing along. God bless America, and God bless New York for providing such goofy-cool experiences.

___________________________
* My terrific book group has been together since 2001, with a variable membership but always the same format: We read a current children's or YA novel and gather at a restaurant appropriate to the setting, theme, or subject of the book. Some of the books we've read this year include
The Luxe (Dove Bar, West Village); The Penderwicks on Gardam Street (Bubby's, TriBeCa); and most recently The Hunger Games (Bread, Soho).
** Seriously, if you're going to get married at City Hall, don't you want your City Hall to look like this?
*** Also one of the most beautiful and awe-inspiring places in New York for its incredible view of the Bridge and the lower Manhattan skyline: See here for the view, and don't forget to visit the Brooklyn Bridge Ice Cream Factory (the white building in the background when you look back at Brooklyn).

What Words Are Worth

The past few months of political drama have turned me into a news junkie -- I listen to Morning Edition while putting my makeup on, I check Andrew Sullivan on my lunch breaks, I read the Sunday Times online. But with this constant connectedness comes occasional exhaustion; and in thinking about how tired I am of news sometimes, and bad news especially, the first line of this sonnet by William Wordsworth rose into my brain and inspired me to look it up:

The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon,
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers,
For this, for everything, we are out of tune;
It moves us not.--Great God! I'd rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathed horn.

I have to say, when I took the most excellent Romantic Poets class at college, with Connie Walker, Wordsworth was my least favorite of the Big Six (Blake, Wordsworth, Coleridge, Keats, Shelley, Byron). To me he seemed to have the least sense of humor and most sentimentality, and to live the most boring life, without even the Romanticism to die young, as all poets worthy of that name should. (The link is hilarious, btw.) But rereading that sonnet reminded me of my favorite poem by him, "Lines Written a Few Miles above Tintern Abbey," and I looked it up as well:

Five years have past; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a sweet inland murmur.—Once again
Do I behold these steep and lofty cliffs,
Which on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which, at this season, with their unripe fruits,
Among the woods and copses lose themselves,
Nor, with their green and simple hue, disturb
The wild green landscape. Once again I see
These hedge-rows, hardly hedge-rows, little lines
Of sportive wood run wild; these pastoral farms,
Green to the very door; and wreathes of smoke
Sent up, in silence, from among the trees,
With some uncertain notice, as might seem,
Of vagrant dwellers in the houseless woods,
Or of some hermit's cave, where by his fire
The hermit sits alone.

Though absent long,
These forms of beauty have not been to me,
As is a landscape to a blind man's eye:
But oft, in lonely rooms, and mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart,
And passing even into my purer mind
With tranquil restoration:—feelings too
Of unremembered pleasure; such, perhaps,
As may have had no trivial influence
On that best portion of a good man's life;
His little, nameless, unremembered acts
Of kindness and of love. Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world
Is lighten'd:—that serene and blessed mood,
In which the affections gently lead us on,
Until, the breath of this corporeal frame,
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.

(You can read the rest here.) It has been probably eight or nine years since I read that poem for class; I have very specific memories of sitting on a bench overlooking the lakes at Carleton and reading it there on a gray and windy day. And rereading it today on the Internet, I felt very much towards the poem as Wordsworth does toward the view of nature: that here in poetry is a Good that restores the soul, that encourages both "acts of kindness and of love" and "see[ing] into the life of things," and I have been too long away from it. Maybe cutting out one news source and reading instead one poem a day is what I need. . . .

I titled this post "What Words Are Worth" because I was trying to be clever while feeling cynical -- it's easy with the news to have too many words passing by, late and soon, and then to feel like they're not worth very much at all. But looking again at "Tintern Abbey" reminded me that of course words are worth a great deal; they just have to be the right ones, and to have enough silence around them to be appreciated.


Silence:








And good night.

A Character Questionnaire

I spent the last two days at the New Jersey SCBWI conference in Princeton -- a very enjoyable conference, with lots of good discussions and nice people. My talk was a shorter, tighter version of the speech on character I gave in Missouri last November. I do not plan to post the full text on my website -- sorry -- because wow, being able to reuse a speech makes life a lot easier in the days leading up to a conference! But I did promise I would post the outline of the create-a-character exercise, which was originated by Joan Bauer at the Los Angeles SCBWI conference in April 2007 and amended by moi:

ESSENCE
1. Facts
-- Gender
-- Age
-- Ethnicity
+ Here I must point out, as I did in my sessions, that of the three times I've run this exercise with a group of people, I've gotten "Hispanic," "Indian" (meaning South Asian, not Native American), and "Hispanic" as answers to this question; and I always find it interesting that many of us white people (as the vast majority of attendees at SCBWI conferences are) don't automatically think of "White/Caucasian" as an ethnicity.
-- Sexuality
-- Basic family situation
+ Who's in the immediate family
+ Their socioeconomic status?
-- Where they live
+ Rural, suburban, urban?
+ Region and country

2. Internal Qualities
-- Personality traits
-- Ethics/morals/values
-- Degree of self-awareness

3. External Qualities
-- Appearance
-- Manners of speaking/patterns of behavior

4. History (aka Backstory)
-- that is relevant to the plot or relevant to how your characters will act in that plot

ACTION
1. Desire: What the character wants

2. Attitude/Energy: The attitude the character brings to the situation in which s/he finds him- or herself

3. Action: What they will do within the novel; the result of Desire plus Attitude

And three more questions:
1. What is the character's joy? What keeps him or her alive?
2. What is the character's pain?
3. Where did the character get his or her name?

The basic idea is that you fill in an answer to each bullet point or question, and by the end of the chart, you have a character who's ready to be the protagonist of a book, where the plot is how the character gets the Desire and overcomes the Pain by the means of their Action and the Joy. It's a tremendously powerful exercise to do in a group because you can just feel this person come to life in the ether, shimmering there in our group imagination, waiting to have his or her story told; and I hope the chart proves useful to you in the telling.

Happy writing to all!

Poll Position

I'm experimenting with the poll function of Blogger via the box in the right-side bar. If it proves popular/useful, then I may use it to determine future talk topics, subjects to be addressed in FAQs or SQUID 101s, what breakfast cereal I should buy next, etc. Swing on over and vote!

("My" life there is meant to refer to your-the-reader's life, for the record, not what you think my personal life is like. I voted for A Crooked Kind of Perfect. Are there any good titles I forgot to include?)