Roundups

A Verbal Venn Diagram of My Summer 2015 List

All of the books on my Summer 2015 list have five things in common:

  • Friendship!
  • Diversity!
  • Strong Female Characters!
  • Multiple starred reviews!
  • They're out now!

And a sixth, I guess:  I'm very proud of them! Here are brief descriptions, and a list of some of their other distinct and shared traits.

The Porcupine of Truth

by Bill Konigsberg

The author of

Openly Straight

 returns with an epic road trip involving family history, gay history, the girlfriend our hero can't have, the grandfather he never knew, and the very prickly Porcupine of Truth.

The friends:

  Carson Smith, Aisha Stinson

Shared traits with other books on this list:  

Young adult; wildlife (symbolic); road trip; mystery; Internet searches; city setting (Billings, Salt Lake, and San Francisco); family

Distinct traits:

 Contemplation of religion and God; improv comedy

I Am Princess X

by Cherie Priest

Art by Kali Ciesmeier

Best friends, big fans, a mysterious webcomic, and a long-lost girl collide in this riveting mystery, perfect for fans of both Cory Doctorow and Sarah Dessen, and illustrated throughout with comic art.

The friends:

May (a writer in glasses), Libby (a glamorous artist, until she drowns ... and then maybe after)

Shared traits:

 Young adult; mystery; Internet searching; street art; chase scene; fight scene; city setting (Seattle); fairy tale elements; YA debut of an adult author; ghosts; interior art; biracial main character

Distinct traits:

 Hackers; printed in purple

Grounded:  The Adventures of Rapunzel

by Megan Morrison

You know the hair, the tower, and the witch. But in the land of Tyme, that's just the start of the story . . .

The friends:

 Rapunzel, of the tower, and Jack, of beanstalk fame

Shared traits:  

wildlife (actual -- a frog); royalty; road trip; a chase scene; a fight scene; fairy tale elements; magic; over-the-transom submission (of sorts); big hair

Distinct traits: 

 Middle grade; debut novel

The Princess and the Pony

by Kate Beaton

The friends

:  See title . . . if they can work it out.

Shared traits:

wildlife (actual); fight scene; biracial main character; interior art

Distinct traits:

 Picture book; castles; sweaters; farting

Shadowshaper

by Daniel Jose Older

Paint a mural. Start a battle. Change the world.

The friends:

Sierra has an awesome group at her back: Bennie, Izzy, Tee, and Big Jerome

Shared traits:

 Young adult; street art; chase scene; city setting (Brooklyn); mystery; Internet searching; family; fight scenes; magic; YA debut of an adult author; ghosts; over-the-transom submission; big hair

Distinct traits:  

A completely heretofore-unseen form of magic in fantasy, deeply connected to its heroine's culture and imagination; a sweet and hot romance; tattoos

Thank you for checking these books out!

2014 Editorial Year in Review

I published eleven books this year -- my most ever! I did not write about those titles here so much, however, because I was spending much of my time readying my 2015 books. (Such is publishing.) But I'm very proud of them all, and as always it was a pleasure to have such a wide-ranging list . . . to be able to turn from the proofs on Divided We Fall, say -- a YA novel about the start of the second American civil war -- to figuring out what piece of classic artwork would match a particular stage of our heroine's journey in I Know an Old Lady Who Swallowed A Dreidel. (You'd have to see the book to get it.) So yay for my 2014 list!

Divided We Fall 
by Trent Reedy


Gold Medal Winter
by Donna Freitas


Amber House:  Neverwas
by Kelly Moore, Tucker Reed, and Larkin Reed


The Good-Pie Party
by Liz Garton Scanlon
illustrated by Kady Macdonald Denton


Curses and Smoke:  A Novel of Pompeii 
by Vicky Alvear Shecter


The Great Greene Heist
by Varian Johnson


Zoe's Jungle
by Bethanie Murguia


What's New? The Zoo! A Zippy History of Zoos
by Kathy Krull, illustrated by Marcellus Hall


If You're Reading This
by Trent Reedy



Finding Ruby Starling

by Karen Rivers


I Know an Old Lady Who Swallowed a Dreidel
by Caryn Yacowitz, illustrated by David Slonim



We Need Diverse Books.

Damn straight.

There is all kinds of great and exciting stuff happening with diverse children's literature these days! By the time you're reading this, the #weneeddiversebooks campaign should be live on social media, May 1-3 -- follow it on Twitter and Tumblr and please share your own thoughts there. Kudos to the awesome team who put that together!


Closer to home, The Great Greene Heist by Varian Johnson -- a modern, middle-school, multicultural Ocean's 11; a book I edited and am immensely proud of -- is getting a ton of awesome attention from indie booksellers and Varian's fellow authors, who are asking everyone to take the #greatgreenechallenge and help us get a diverse book on the bestseller lists. Kate Messner threw down the initial challenge; Shannon Hale raised the bar; and some guy named John Green sweetened the pot further for bookstores. You can check out all the action at Varian's blog post here. The book has received wide praise from many authors and a starred review from Kirkus, and it was named a Publishers Weekly Best Summer Book of 2014! If you still need more convincing, you can check out this wonderful little prequel as a taster, or just join the challenge and preorder it now. (I advise the latter.) Out officially on May 27, 2014.

Equally exciting:  Sarwat Chadda is going to be in New York for the PEN World Voices panel this coming weekend, and appearing at Books of Wonder and a conversation on writing superheroes on May 3, and a great panel on sex and violence in children's literature on May 4. Good stuff!

Finally, I'm going to post this list here for anyone who might still need diverse book recommendations -- a list of books I've edited featuring diverse protagonists. Diversity has been a priority at Arthur A. Levine Books since the imprint was founded, and it's been a particular passion of mine for years, so I'm very proud of both this list and the many great books on our publishing lists to come.

Books I've Edited Featuring Diverse Protagonists

  • Millicent Min, Girl Genius and Stanford Wong Flunks Big Time by Lisa Yee (MG; Asian-American)
  • Bobby vs. Girls (Accidentally) and Bobby the Brave (Sometimes) by Lisa Yee (chapter book; biracial, Asian-American)
  • Eighth-Grade Superzero by Olugbemisola Rhuday-Perkovich (MG: American of Black Jamaican descent)
  • If I Ever Get Out of Here by Eric Gansworth (YA; Tuscarora Native American)
  • The Path of Names by Ari Goelman (MG fantasy; Jewish)
  • Marcelo in the Real World, The Last Summer of the Death Warriors, and Irises by Francisco X. Stork (YA; Latin@)
  • The Nazi Hunters:  How a Team of Spies and Survivors Captured the World's Most Notorious Nazi by Neal Bascomb (YA nonfiction; Jewish) 
  • The Fire Horse Girl by Kay Honeyman (YA; Chinese)
  • Openly Straight by Bill Konigsberg (YA; Gay)
  • Gold Medal Winter by Donna Freitas (MG; Latina)
  • The Savage Fortress and The City of Death by Sarwat Chadda (MG fantasy; British of Indian descent, Hindu(ish))
  • Words in the Dust by Trent Reedy (MG; Afghan, Muslim)
  • The Encyclopedia of Me by Karen Rivers (MG; biracial, of British-Caribbean descent) 
  • Moribito:  Guardian of the Spirit and Moribito II: Guardian of the Darkness by Nahoko Uehashi, translated by Cathy Hirano (YA fantasy; Asian-inspired) 
  • Above by Leah Bobet (YA fantasy; differently abled cast -- which is putting it mildly -- and biracial protagonist of French and Indian descent)
Yay diverse books! 

A Nomination! A Third Printing! & 2013 Editorial Year in Review

I'm pleased to report that The Nazi Hunters: How a Team of Spies and Survivors Captured the World's Most Notorious Nazi, by Neal Bascomb, is one of five finalists for YALSA's Excellence in Nonfiction Award!


The development of this book can be directly traced back to an SCBWI conference I attended -- Whispering Pines 2011 in Rhode Island (which was an excellent conference all around). During an off hour, I wandered into the conference center's library, and someone had left a copy of an adult book called Hunting Eichmann by Neal. I started skimming the book and immediately grew intrigued: I'd been thinking about how much I loved the narrative nonfiction in The New Yorker and how interesting and fun it would be to publish for a younger audience, and the hunt for Adolf Eichmann combined history, mystery, spywork, and Nazis in one terrific, suspenseful, high-stakes story. When I got back to New York, I reached out to Neal, proposing a YA edition of Hunting Eichmann. We embarked on a very enjoyable collaboration where we both learned a lot (me about photo research, especially -- a topic worthy of a whole blog post all its own), and the resulting book, with a awesome foiled cover by Phil Falco, came out in September. You can read the opening pages here.

While I'm posting:  I'm also pleased to announce I've ordered a third printing of Second Sight, which should be available for sale in early January. (The book is out of stock until then.) Thanks to all of you who've supported it thus far!

Finally, a quick look back at all of my 2013 books, with plenty of time left to order for Christmas (hint hint):

  • The Fire Horse Girl by Kay Honeyman: Pride & Prejudice in 1923 Chinatown!
  • The Path of Names by Ari Goelman:  Math, mysteries, mazes, magic, & even murder at a summer camp! This was named to Booklist's rolls of both Top Ten First Novels and Top Ten Religious & Spirituality Novels for Youth.
  • Zoe's Room (No Sisters Allowed) by Bethanie Deeney Murguia:  Two sisters. One room. Stuff just got real. 
  • Openly Straight by Bill Konigsburg:  A gay book for the "Glee" generation, about being out, being proud, and being ready for something else. 
  • If I Ever Get Out of Here by Eric Gansworth:  A "brohemian rhapsody" (Eric's phrase) about a Tuscarora Native American boy and a white Air Force kid discovering their shared love of rock music, and the complications that ensue.
  • The Nazi Hunters by Neal Bascomb:  Hey, did you hear it was nominated for YALSA's Excellence in Nonfiction Award?
  • The City of Death by Sarwat Chadda (sequel to his excellent The Savage Fortress):  Ash Mistry, weapon of the goddess Kali, goes to Kolkata, and the city will never be the same. 
And I'm excited about all the equally great things on the docket for the new year. This will probably be my last post for 2013, as I'm leaving for my belated honeymoon (in India, in fact!) on Saturday . . . so I wish you all the very best for the holidays, and a happy new beginning to 2014!

A "Breakdown" on Breaking Down a Manuscript; Two Conferences; and a Personal Best

There's a new Narrative Breakdown up at the website -- this time on Revision Techniques (Part I), as James and I talk through a few of my favorite methods of figuring out what you want your book to do, what it IS doing, and how it can be made to do all of that better. If you've read Second Sight or taken any of my classes, these will not be news to you, but it might be fun to listen anyway. (Talking about outlining is everyone's idea of a good time, right? Right? Yay! So you'll enjoy this.)

Registration is now open at the Dakotas SCBWI website for a full Novel Writing Workshop with me, October 4-6 in Custer, South Dakota. This workshop will involve my Plot Master Class on Saturday and my intensive talks on Character and Voice on Sunday, and it's the only conference appearance I'm making the rest of this year, due to my upcoming wedding and honeymoon. Other than this, I do not plan to offer said Master Class again (online or in person) until next spring, so here's your chance if you want to catch it in 2013.

I will also be at LeakyCon in Portland June 27-30, participating in general shenanigans.

Finally, I will admit to using my blog as commonplace book and diary as much as means of transmitting information, and as such, I've made a habit of recording my running times here to track my progress through the years. Now I have a nice new personal best to note:  The Brooklyn Half-Marathon, May 18, 2013, 1:59:28 -- with a personal best 10K in there too, at 56:39. Woo! I never get over the pleasurable strangeness of me, a longtime Enemy of All Things Exercise and In Particular Running, being able to do multiple miles in a single bound. (Or many bounds, really. You get the idea.) 

What I'm Publishing: Summer 2013

If anyone ever accuses me of publishing only one kind of book, I will first laugh uproariously and then, stone-faced, point them to this blog post:

 ZOE'S ROOM (NO SISTERS ALLOWED)
June 2013
The Queen of the Universe has a wonderful room --
and unfortunately, she has to share it.
(Unless you have a very special monitor, this image does not show 
the copious and delightful amount of glitter on the cover.)

THE PATH OF NAMES
May 2013
The only Jewish summer-camp math-genius Kabbalistic fantasy novel you'll ever need.

 
OPENLY STRAIGHT
June 2013
A gay book for the Glee generation,
about being out, being proud . . . and being ready for something else.
"One of the best gay-themed YA novels of the past ten years."
 -- Michael Cart, Booklist, starred review
IF I EVER GET OUT OF HERE
August 2013
A beautifully written historical YA by an acclaimed adult novelist,
about the transformative powers of good friendship and good music. 

You can see the complete Arthur A. Levine Books summer 2013 lineup on our website here, and Like us on Facebook here. Thank you for keeping an eye out for all of these titles!

The Scholastic Spring 2013 Preview!

The online existence of this preview will be old news to many, but good news to more:  Behold the lineup of Scholastic's Spring 2013 books! We recorded it a little bit differently this time, so you get a glimpse inside many of the editors' offices, including mine*, where I talk about the books:
  • The Path of Names by Ari Goelman, at 13:46 in middle grade -- The ONLY Jewish summer-camp fantasy you'll ever read or need:  Diana Wynne Jones meets Chaim Potok in the Poconos, with a wholly original magic and some of the smartest, most believably snarky 12-year-olds ever to appear in a novel. Out in May.
  • Openly Straight by Bill Konigsberg, at 8:00 in YA -- This has pretty much everything I'm looking for in a novel these days:  An original, provocative premise; wonderful characters; a smart, funny, relateable voice; believable consequences to its action; the courage of its convictions in following through on its ideas and story; and pleasure in reading, provoking thought long after. Also: THIS IS NOT JUST A BOOK FOR GAY PEOPLE. STRAIGHT PEOPLE SHOULD READ IT AND WILL LOVE IT TOO. (I feel the need to make that point.) Out in June. 
  • The Fire Horse Girl by Kay Honeyman, immediately after it -- This book satisfied every single teen-girl reader part of me:  the headstrong heroine, who was sometimes lonely because of her iconoclasm; the fascinating historical background of Angel Island and San Francisco in the age of the tongs; terrific adventures; a romance whose tiny gestures I could reread again and again. In stores now!
There will be more to say about all of these books in the course of the year. In the meantime, won't you please check the preview out to see them now?

Librarian Preview

* Fun fact: The KID LIT Missouri license plate you can see over my shoulder belonged to my grandfather.

A Chain of News Links

Two terrific books pubbed officially yesterday:  The Savage Fortress, by Sarwat Chadda, and Stealing Air, by Trent Reedy. I wrote about The Savage Fortress for the CBC Diversity blog here, cheerfully (and with Sarwat's full approval) calling it a book of "no socially redeeming value" -- which is one of the many things that actually makes it awesome. But you should also read Sarwat's own wonderful blog post on the reasons why he wanted to write this book, to satisfy his ten-year-old self "who always wanted another hero like him." And when you're done with that, please hop on over to the Scholastic Savage Fortress site and play the "Master the Monsters" game. I am terrible -- TERRIBLE -- at video games, so my high score on this game is 600; my compliments to anyone who can do better than I did (e.g. the average five-year-old). There's good stuff to come on Stealing Air as well. 

Speaking of diversity:  In this week's Narrative Breakdown, James and I and our return guest Matt Bird discuss creating ensemble casts, including Matt's excellent theory on Heads, Hearts, and Guts, and why there are so few characters of color in ensembles like Girls or Sex and the City. Subscribe on iTunes, and do please comment, review, or tell us what you'd like to see more of!

Speaking of developing your writing muscles: If you'd like to see me give my Plot Master Class in person, registration for the November 17 edition in Salt Lake City is now open! To get a sense of the topics covered, check out the description for the online edition of the class (which is sold out, I'm sorry to say. If I'm able to balance work and my responsibilities in teaching it, we'll run it again sometime next year). I believe there are also still spaces available at both the Master Class and the SCBWI general conference in Hawaii on February 22 & 23, 2013 -- e-mail Lynne Wikoff at lwikoff at lava dot net if you're interested.

Speaking of appearances in connection with educational opportunities, did you know J. K. Rowling is doing a virtual author visit with schools, in support of the new Harry Potter Reading Clubs? You can register a class for the webcast here.


And there the chain comes to an end. Or wait -- a little delight to send you on your way:


Narrative Breakdowns, Muggles Editing, Getting a Job, Overseas Travel, and Lovely Links

About a year and a half ago ago, my fiance, James Monohan, who is a video editor and director, decided that he wanted to start a podcast to talk about story questions, and thus The Narrative Breakdown was born. (I cannot even type those words without hearing "Narrative duh-duh-duh-duh-DUM-duh Breakdown duh-duh-duh-duh-DUM-duh Narrative duh-duh-duh-duh-DUM-duh Breakdown duh-duh-duh-duh-DUM-duh The Narrative Breakdown" in James's voice, as that is a rough approximation of our theme song, which both cracks me up and makes me do a little groove. It is well worth the listen.) We only recorded three trial episodes last year before our schedules got in the way, but we are back this week with a discussion of Beginnings & Inciting Incidents, pivoting off my blog post on the subject last Saturday. James goes on to chat in Part II with our friend Jack Tomas, screenwriter and proud ubernerd, who discusses the concept of Inciting Incidents as it applies to many of pop culture's biggest properties and this summer's hit movies. We hope to be doing these much more regularly going forward. Do please check the podcast out, subscribe on iTunes, give us a rating if you like it, and enjoy!

And that is not the only podcast I'm on this week! Keith Hawk and John Granger of Mugglecast Academia kindly had me on their show to talk about being an editor, particularly my role as the continuity editor on Half-Blood Prince and Deathly Hallows. It was a fun conversation that includes some reflections on the HP series and some advice on getting a job in publishing (which I also know I still need to write about here).

Did I ever mention this blog post on the CBC Diversity website about how I got into publishing? It's probably the best account of my own story I've ever written up -- though I just noticed I did exclude the detail that Arthur thought I was a pothead during our interview, thanks to my red eyes (I was wearing my contacts). He was very kind to have faith in me and let me write reader's reports anyway.

For those of you who wonder why editors don't take unsolicited submissions:  As of 8 a.m. this morning, four days after my query-open period began, I have 238 new queries in my inbox. Clearly this is a more concentrated dose than usual or than would happen if I were open all the time. But goodness. If you did not receive a confirmation e-mail (and ONLY if you did not receive a confirmation e-mail, as apparently most people did within 24 hours), you may resend your submission, using the exact same subject line as on your original submission, to CBKedit at gmail dot com, and then e-mail me separately at chavela_que at yahoo dot com with just your name and title. I will reply next week via Yahoo and confirm that those manuscripts got through.

(I have to admit, I am getting VERY testy with people who are not obeying the query instructions -- sending manuscripts to my other addresses, putting elements out of order. They are the world's most straightforward submissions directions, and they are not hard, so it does not make a great first impression if you're not paying attention and obeying them. And if you HAVE messed them up, don't send the ms. again to make up for it. Just go forth and sin no more.)

If you would like a guaranteed way to be able to submit to me in future, I am very happy to announce I'll be at SCBWI Hawaii on February 22 and 23, 2013! I'll be offering both my Plot Master Class to a small group on the Friday and participating in the general conference on the Saturday (with Lin Oliver, who's always fabulous). While a full schedule/registration will be online in November, anyone who's interested now can e-mail the RA, Lynne Wikoff, at lwikoff at lava dot net to get instructions for the Master Class and get on a mailing list for future info.

In other travel news, I'm going to be in Singapore for five days and Thailand for eight later this fall -- my first-ever trip across the Pacific, and I am very excited. If you have recommendations for things to do or see or ways to avoid jet lag, they'd be much appreciated.

Loose links:

Egomaniacal Link & News Roundup

Because it's all about me and my books; because I haven't posted in forever; and because ... I'm sorry, my creative/essay/thoughtful-blog-post-writing muscle seems to be taking some time off for the time being. This may have to do with the fact that I've been exercising all my other muscles a lot -- training for some long runs -- and also writing a lot of editorial correspondence; and also sharing a lot of my immediate thoughts on Twitter (meaning, if you follow me there, this post might be quite boring for you. But I'll throw in a joke to make it worth your time). Thank you for stopping by as ever.

(The physical training paid off, I must say:  This morning I ran my fastest 10K ever, in 57:57! I give all credit to Rihanna and this extremely earwormy song.)

Erin Saldin's wonderful The Girls of No Return is reviewed in the New York Times today! Elissa Schappell calls it "A smart, absorbing story about damaged girls realizing how hard it is to connect with other people when you don’t trust anyone," and damn straight. It's racked up another starred review, too, from the BCCB.

Trent Reedy and I recently talked about writing across cultures (and editing books written across cultures, like his Words in the Dust) for the website Women on Writing. Words in the Dust also recently won both the Christopher Award and a Golden Kite Honor Award, and I know I speak for Trent when I say how much we appreciate his hard work being recognized. (The lovely Uma Krishnaswami also did a terrific in-depth interview with Trent on the subject of writing across cultures last summer: Part 1 and Part 2.)

This checklist of Ten Quick Ways to Analyze Children's Books for Racism & Sexism is another great resource if you're trying to write or read books outside your culture. And Teju Cole's thoughts on sentimentality and "The White Savior Industrial Complex" are worth keeping in mind as well.

Guus Kuijer won the Astrid Lindgren Award! His The Book of Everything is a wonder -- one of those books people still discover and then write to thank us for publishing it -- and an adaptation of it will open on Broadway later this month.

This Tor.com review of Above, by Leah Bobet, made me do a fist-pump on the street, because it fully appreciates the magnitude of what Leah accomplishes in that book, and that is an exceedingly rare thing for a review to do, sadly (sometimes because of space issues, sometimes because of reviewer-book chemistry). (Beware major spoilers, though.) It also got a starred review in Publishers Weekly, which called it "a dark, dazzling tale." When my thoughtful-blog-post-writing muscle comes back, I'm looking forward to talking more about this novel, which you should check out in stores now. 

Vicky Alvear Shecter shares a deleted scene from Cleopatra's Moon and a little bit of the editorial/authorial thinking that went into it being deleted. I'd add to what she says that it's not just about tone, it's also about pacing, and this scene came very early in the book, when the young Selene was just starting to become aware of the conflict between Rome & Egypt that will shape the rest of her life (and the novel). And it felt more important to me as a reader/editor to get into that conflict quickly than to have what is definitely a very sweet moment. If the scene had come later in the book, at a moment when the action was already humming along nicely, we might have kept it there.

My alma mater, Carleton College, interviewed me and fellow alum Kathleen Odean about the Meghan Cox Gurdon foofaraw last summer. (Or was it a kerfuffle? Both, I think.)

And the super-interesting and smart blog The Whole Megillah asked me some insightful questions about Second Sight, writing, and revision. Which I then answered.

The joke: What do you call a dyslexic agnostic insomniac? A person who stays up all night wondering if there is a dog.

I recently received copies of the second printing of Second Sight -- yay! -- and the book was mentioned by commenters on Jennifer Crusie's website as a recommended writing book -- double yay! (And many thanks, Robena, if you're out there.) Jennifer Crusie is one of my very favorite writers, so it was a thrill to see my book on her site. ("My name and book title went through her brain!" I think. "Even if it was just in cutting and pasting the title in! Wow!") 

Here's a non-me link: If you're looking for a writing skills tune-up, I bet Ms. Crusie's forthcoming series of online writing workshops, The Writewell Academy for Wayward Authors, will be pretty amazing.

And another one, if you need inspiration:  Dear Sugar/Cheryl Strayed's excellent advice to "Write Like a Mofo." I'm reading her memoir Wild now, and it is terrific.

Other things I've been loving:  the return of Mad Men; this recipe for spaghetti with Brussels sprouts; 21 Jump Street -- an unexpected delight; this list of "Lines from The Princess Bride That Double as Comments on Freshman Composition Papers" (or Manuscripts); string cheese.

There, now it is no longer about me. Go forth and write like mofos.

A Blogiversary!

Today is March 4, and that means it is the seven-years-and-one-month blogiversary of Brooklyn Arden. I will allow these fine gentlemen to express my feelings on the occasion:


Some other things to celebrate:
  • Words in the Dust by Trent Reedy was named a Golden Kite Honor Book for Fiction by the SCBWI!
  • My Plot + Structure Master Class for the Inland Empire SCBWI went well on Saturday, and while my brain felt finely fricasseed afterward, it has now recovered!
  • I just ordered a second printing of Second Sight!
  • It is Sunday night and I just watched an episode of Sherlock I have never seen in full! (It was "A Study in Pink," and it was delightful.) 
Here's wishing you all many Kool, exclamation-point worthy good things this week.

SCBWI Winter Conference Links Roundup & Submissions Guidelines

Whew! I had a terrific time teaching at the SCBWI Winter Conference yesterday. In my presentation, I mentioned or included links to the following:
Because two sessions of my presentation didn't leave time for any questions, I told participants that they could send general questions about writing, revision, editing, publishing, etc. to my website e-mail address, chavela_que at yahoo dot com. I will collect these questions through February 14, then answer ten of them here on my blog shortly afterward. If you're sending a question, please put the number of revision techniques covered in my workshop in your subject line, so I know you were actually at the session, and include your name with your question in the body of the e-mail. Thanks.

I also said that I would announce my submissions guidelines here once I had figured them out -- and I now have! If you were in one of my sessions, you may submit to me in the following manner:
  1. You can see my general "What I'm Looking For" at the Submissions page on my website. I will add to that I tend to acquire far more novels than picture books, and my list is pretty stuffed with great YA right now, so I'd love to find some more great middle-grade to balance it out. That doesn't mean I don't want to see terrific picture books or YA if it seems right for me! I encourage you to check out the Books page on my website and the "Books I Edit" label to the right to see more about the kinds of things I publish.
  2. Writers who attended my sessions may submit one manuscript within the next six months.
  3. When that time comes, open up a new e-mail to CBKEdit at gmail dot com. Up until this point, I have accepted unsolicited submissions solely through the post, but I decided this was a great opportunity to experiment with e-mail submissions. (Alas for the U. S. Postal Service, denying them one more source of support...)  If I like it, I may continue to use it for future conferences or even general unsolicited submissions, but right now, these guidelines apply to the SCBWI Winter Conference only. Agented submissions should continue to go to my work address.
  4. At the beginning of each of my sessions, I listed three key principles we work toward in revision. Put one of these principles in the subject line, followed by the title of your manuscript and your name. That is how I will know you actually attended my sessions. (I gave those of you in my third workshop a code word; you can put that code word in place of the principle if you like, but either works.) If you do not include a correct principle or code word in the subject line, your e-mail will be deleted unread.
  5. In the body of the e-mail, please include the following elements in this order:
    1. Your name
    2. The title of the manuscript
    3. The format/age/genre of the manuscript. To keep this simple, include any of these options as appropriate:  Picture Book / Easy Reader / Chapter Book / Middle-Grade / Young Adult / Nonfiction / Fantasy / Mystery / Romance / Paranormal / Historical / Poetry
    4. Your query letter, including your contact information, and a flap-copy-like summary of the work as a whole.
    5. A portion of the manuscript as follows:
      1. Picture Book: complete text
      2. Novel (whatever age): the first chapter
      3. Nonfiction / Poetry Collection / Etc.: the first ten pages
    6. If you are an author-illustrator with a picture book text that you want to illustrate, I suggest any of the following methods: (a) paste the full text here, then include one sample illustration in the body of the e-mail; (b) paste the full text here, then put a link to your website in the query letter  so I can see your style; (c) if you have a full dummy available online, simply include a link in your query -- no need to paste in the text.
  6. I am able to read HTML submissions, which will retain manuscript formatting; I am also able to read plain text, whichever you send and prefer. Please do not send attachments. I do not care about any formatting questions beyond the inclusion of the elements above in the order I specified them, so please don't ask them.
  7. You will receive an automatic reply letting you know your manuscript has been received. It says that you will get a response within six months, and I will do my best to keep to that. I have often failed to stay within these expectations in the past, which I regret, but I'm doing the best I can. 
  8. As with my submissions through the regular mail, if I am interested, I will send you some  personal response; if not, you will receive a form letter. Due to the demands created by the many manuscripts I receive and edit, I will not be able to correspond further than this if I am not interested. 
Thank you for attending my sessions, and your interest in sharing your manuscript with me. 

Five Quotes, Three Announcements, and One Link

"Power always thinks it has a great soul." -- John Quincy Adams

“Power properly understood is nothing but the ability to achieve purpose. It is the strength required to bring about social, political and economic change. . . . What is needed is a realization that power without love is reckless and abusive, and love without power is sentimental and anemic. Power at its best is love implementing the demands of justice, and justice at its best is power correcting everything that stands against love.” -- Martin Luther King, Jr.
"It is a delicious thing to write, to be no longer yourself but to move in an entire universe of your own creating. Today, for instance, as man and woman, both lover and mistress, I rode in a forest on an autumn afternoon under the yellow leaves, and I was also the horses, the leaves, the wind, the words my people uttered, even the red sun that made them almost close their love-drowned eyes." -- Gustave Flaubert
    
"In writing, punctuation plays the role of body language. It helps readers hear you the way you want to be heard." -- Russell Baker

"'The cat sat on the mat' is not a story. 'The cat sat on the other cat's mat' is a story." -- John LeCarre

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1. The winners of the StarCrossed/Liar's Moon/Second Sight giveaways were Lindsay Mead, Rachel Stark, Cathy C. Hall, Pat Esden, and Leslie Jordan. For those of you interested in giveaway strategy, both Cathy and Lindsay took full advantage of the opportunity to enter multiple times, and it clearly paid off for them. Congratulations to all!

2. If you live in New York and you're interested in supporting the Occupy movement:  My awesome church, Park Slope United Methodist, is housing protesters in the sanctuary each night, and we're looking for volunteers to sleep overnight there as hosts. (You do not have to attend the church to volunteer.) I did it on Thursday, and it was actually quite lovely -- not the most sleep I've ever gotten, certainly, but an opportunity to chat with some really interesting people devoted to building a better world, in their very particular way, and to give them a place to lay their heads, as the carol goes. If you'd be up for it, e-mail me at the address on my website and I'll put you in touch with the coordinator.

(My friend Rachel, being mischievous, asked me if we would put up Tea Party people as well should they ask for shelter; and I'd like to think we would, though I also think most Tea Partiers would be too horrified by my church to want to shelter there. A soup kitchen, an all-inclusive marriage policy, a Christmas pageant that included "Occupy Bethlehem" jokes, an emphasis on social and economic justice . . . The Koch brothers' heads would implode! (I admit the glee I take in that idea is neither particularly welcoming nor becoming. It's a process.))

3. Registration opens on December 22 for my March 3, 2012 Master Class on Plot in Spokane, Washington, via SCBWI Inland Empire. Details: here.

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Finally, if you saw "Breaking Dawn," you also need to see this: "Breaking Dawn" in 15 Minutes.

Wake Me Up When September Ends

. . . and maybe I'll remember to post these interesting things. Because I haven't been doing much besides working, thinking, and keeping up with friends, this is, I'm afraid, a completely self-absorbed list; but hey, it's my birthday month. (Or you can attribute it to the evil influence of Eat Pray Love, which I'm reading right now and really liking. Here's to women who know what they want and go after it, I say.)
  • Jordan at the Rusty Key kindly interviewed me about working on the Harry Potter books. (Hermione's and my joint Virgoness pleases me deeply.)
  • A picture and one-line quote from me appears in Psychology Today magazine this month! It's as part of their "Person on the Street" feature, which is entirely appropriate, because it came about because of a stroll up my beloved Crosby St. I was walking to work one day, and at the corner of Prince and Crosby, a woman with a clipboard said to me, "Would you like to be in a photoshoot for Psychology Today magazine?" This seemed like a pleasingly random opportunity, so I said yes, answered a question, and posed in a strange position, which is of course the picture they chose for the magazine (in a spread of other people similarly strangely posed). It's not online, I don't think, but if you are exceedingly bored and near a periodicals rack at some point soon, you can look it up. 
  • And Sue Lederman LaNeve talked with me about self-publishing and Second Sight in her Tampa Bay Children's Book Writers and Illustrators newsletter, available here.
  • (I've sold well over half my stock of Second Sight, for the record -- thanks to all of you who have purchased it or helped spread the word!)
  • That interview also contains an announcement of another fun upcoming conference for me -- Florida SCBWI over Martin Luther King Jr. weekend, which I am already excited about. Wouldn't you like to spend a three-day weekend in January in Miami talking writing and children's/YA books? I think you would. 
  • If you disliked The Boy in the Striped Pajamas, as I did, you have to read Manohla Dargis's brilliant review of the movie, which is also spot-on for the book. (Thanks to my friend Ronnie Ambrose for introducing me to this review.)
  • Make your own S'mores Pop Tarts! Yum yum yum.

Oh, My Poor, Lovely, Ever So Neglected Blog . . .

. . . I have been thinking about you, I promise. But I also have been traveling and editing and knitting, some of these things simultaneously. I spent nearly three weeks on the West Coast, the last one inadvertently, thanks to Tropical Storm Irene. I became an aunt to a darling future star for Manchester United, which is ironic, because at present his name most famously belongs to a cricket player. I completed the baby blanket I have been knitting since 2006, and strained my wrist kayaking while singing Broadway showtunes. (Long story.) I reviewed and personally critiqued one hundred and fifty-three queries -- yes, 153 -- in connection with the webinar I did back in June. I visited two different music museums. I finished both A Storm of Swords and A Feast for Crows by George R. R. Martin, with great satisfaction, and three other books besides, with only medium satisfaction comparatively, but still pleasure. I wrote four editorial letters in the week before I left, and one more during my Irene-enforced vacation. I ate at the best Thai restaurant in Los Angeles, or maybe the United States. I lost my wallet and iPod on a plane, and one of my books was named an Entertainment Weekly Must List pick, and another is featured on the Kirkus website this week. And I boogie boarded successfully.

Those are all the verbs of my last month or so, and some of the nouns too; but the reason I stayed away from you, dear blog, had to do with the adjectives . . . "Tired" and "talked-out" to some extent, thanks to all the crazy work of this year, and especially the week prior to vacation; and "emotional" about things that were none of your business. (Nyah, nyah, nyah, blog, I have things I don't tell you!) . . . And those things also made me feel tired and talked-out. One of the perils of being an editor, or perhaps just of modern life, is that one's judgmental antennae can be up all the time, weighing how something is done, to what ends, whether those ends are worth the effort, whether the "how" is the best method for reaching them, and then figuring out how best to communicate those judgments in the appropriate forum, if one should, because one has so many forums to be judgmental. (Wittily and briefly for Twitter? At great length in a letter or blog post?) I did not entirely succeed in turning off these antennae during my vacation, and as a result, I remained tired and talked-out in my head, and not so much wanting to put that talk down in pixels . . .

But it feels good to write here, Brooklyn Arden dear, and stretch these familiar muscles. I do hope to return again soon. I have new books to tell you about, and some thoughts on this devastating but oh-so-true Onion article, and those 153 critiques plus the article made me want to do a series delving into the nature of bad prose (not that all of the critiques were bad by any means). I promise nothing, because that merely sets me up for failure, but I'm thinking about you, and wishing we could spend more time together. The fall is always my time for new beginnings:  Here's to trying.

All Aflutter

This has been a good and busy week, and promises only to get more so. Some quick things, first non-booky (for a change) and then all-booky:
  • I finished "Downton Abbey," and oh my goodness: What period, characterful, conspiracyful, Englishy goodness! Someday I aspire to wear dresses like Lady Sybil and bite off words like the Dowager Duchess. (And more immediately to write a blog post comparing the series to "Mad Men" for all the things they have in common: a large ensemble cast; of multiple social classes, with the attendant conflicts and resentments; on the cusp of (or even in the midst of) gigantic, sweeping societal changes they don't quite grasp, even as they inadvertently bring them about; also on the cusp of a war whose seriousness they cannot possibly foresee; with many buried secrets revealed over time, and liaisons right and left; all while wearing teeth-gnashingly envy-inducing* clothes (though really I suppose I should remember: corsets).)
  • * This phrase courtesy of Joanna Pearson's The Rites and Wrongs of Janice Wills, out in July. You read/edit a book enough times, its phrases naturally leap into your brain and writing. . . .
  • I'll be teaching a Master Class on Plot at the Kansas SCBWI conference the first weekend in May. There are, I think, exactly six spots left as of this writing, so book quickly if you're interested!
  • My other upcoming appearances: the Mid-Atlantic SCBWI Novel Revision Retreat in June, and Lit Day at LeakyCon 2011 in July. The Lit Day lineup is insane -- insane! -- and features Arthur's first appearance/speech at a Harry Potter fan convention ever, so it's well worth attending if you can make your way there.
  • And I loved, loved, loved the new "Jane Eyre" adaptation, partly for the fabulous period clothes and design, yes, but mostly because Mia Wasikowska and Michael Fassbender bring terrific passion and intelligence to the roles of Jane and Rochester, and make Charlotte Bronte's sometimes unwieldy or ethereal dialogue sound perfectly natural in their mouths, sweeping us viewers up in their passions as well. When I reviewed the Keira Knightley "Pride and Prejudice," I contrasted what I called Romantic and Rationalist romances, and faulted that P&P for shooting a Rationalist romance as if it were a Romantic one. Well, "Jane Eyre" is a Romantic romance par excellence (and the film gives that all the brooding atmosphere it warrants, to delicious effect) -- but I had forgotten, till I saw this adaptation, how much it is a Rationalist romance too, how much its unique intensity derives from Jane's absolute control over herself, and how much hotter the love burns for it. I want to see it again already; get your own taste on the movie page here.
Now the Second Sight stuff:
  • When I go home to Kansas City for the Kansas SCBWI conference, I'll also have a public book party in Belton, Missouri, on Thursday, May 5th; e-mail me at asterisk.bks at gmail dot com if you're interested in attending.
  • Jennifer Bertman interviewed me for the Creative Spaces feature on her website, where I talk about my writing process, my workspace, and the regrettable lack of a magic bullet for making someone a good writer.
  • Donna at the First Novels Club and Kate Coombs at Book Aunt each reviewed Second Sight and said some kind things.
  • Apparently people have started to receive their books! I hope you enjoy them. If you find typos (sigh), please e-mail me with them at asterisk.bks at gmail dot com. (I've found two, which I regret, but so it goes.) Also, if you had trouble ordering via Mybookorders.com earlier, there's now a direct-order phone number available on the order page, and copies should be available to ship from Amazon.com within the week.
  • And to end on a yummy note, James, my darling boyfriend, got me a cake to celebrate the publication of the book; here I am with it in my office.

A Ramble: Eastern Standard Time

When I glanced back over the 2010 posts on Brooklyn Arden, I felt a little depressed, because I blogged less often and about less-thoughtful things this past year than I have in any year since the blog’s inception in 2005. Not that I expect readers missed me much, by any means, but writing here is one of the ways I think, and the lack of blogging was a sign of how little I felt like writing, and how little time I had to think for pleasure, if that makes sense, in 2010. . . . I wrote a lot of speeches and editorial letters and other important things, many of which turned out well, I’m glad to say, and of course I did all the revising on my book; but that wasn’t restful thinking for me, talking out loud about things that interest me—which was how this blog started, as my one-sided continuation of a lost correspondence, and how I always love it most, when it gives me a chance to know what I think when I see what I say, to paraphrase E. M. Forster. So with this post, I hope to start a tradition of letting myself write for one hour every Sunday, to put down what’s been happening in my life and on my mind; and if you all find things in it that are useful for you, wonderful, and if not, well, you know what you’re in for with future posts. This one is more of a catch-up, newsy post than I hope most of those future posts will be.
  • Holidays! In the last ten days, I visited these cities in order:  New York; Belton, Missouri; Treynor, Iowa; Belton, Missouri; Hemet, California; Santa Barbara, California; Los Angeles, California; New York, and as much as I love all the people in all the other places mentioned, I am very glad to be home again. 
  • And in truly major news, James and I won the Frog again in team play! (The Frog, for those of you joining us just now, is the traveling trophy in my family's Killer Klein Croquet Tournament; and Killer Klein Croquet is basically croquet meets Calvinball, played with great enthusiasm and emotion and no skill whatsoever. See prior reports under the "Frog" label at right.) I thus become the winningest KKCT champion ever -- neener neener neener, family! -- at least until James and I have the chance to defend his Brooklyn sojourn in May.
  • (And I have now set an impressively high bar for maturity in these Rambles by actually saying "neener neener neener." Look for "I know you are, but what am I?" in future posts.)
  • True Grit contains probably my favorite scene from any film this year:  Mattie Ross’s negotiation with the horse trader, her calmly wearing him down till she gets exactly what she wants and a thank-you for it. Its well-written rat-a-tat dialogue between two equally matched opponents reminded me of one of my favorite film scenes of all time, the opening exchanges between James Bond and Vesper Lynd on the train in Casino Royale (“How was your lamb?” “Skewered. One sympathizes.”)—though True Grit was much less sexy, of course. Jeff Bridges and Hailee Steinfeld are getting all the awards buzz, as far as I can tell, but I loved Matt Damon for investing the at-first-foppish La Boeuf with real dignity and character. I would have liked a bit more emotional payoff at the end, I think, but so the Coen Brothers go.
  • Black Swan was a potentially fascinating movie about the quest for perfection in ballet and its mental cost, made risible (to use J. Hoberman’s word) by ham-handed horror-movie plotting, details, and filmmaking techniques. Also, Darren Aronofsky has apparently never met a close-up of a bloody [insert your own body part here] that he didn’t like. But other than that, it was beautifully shot, and it made me want to see Swan Lake, which I never have. . . .
  • One of the good things in 2010:  I fell in love with making homemade granola, inspired by the amazingly simple Mark Bittman recipe in How to Cook Everything Vegetarian (where he recommends toasting the oats and nuts first, which I endorse). The recipe is easy, tasty, and capable of endless variations; my version tonight has dried cherries, sunflower seeds, almonds, vanilla, and molasses as a sweetener (though the all-time best sweetener truly is maple syrup, I think). If you have suggestions for mix-ins, I’m happy to hear them.
  • Congratulations to Erin McCahan and I Now Pronounce You Someone Else for the book’s being named a Cybils YA finalist! I love, love, love romantic comedy, which is partly why I wanted to publish INPYSE; but it’s a category that doesn’t get recognized much come awards time, because the seeming lightness of the atmosphere and subject matter (and, perhaps, the fact that it’s a genre most often about, created by and consumed by women) make it easy to blow it off in the face of IMPORTANT books or movies about war or boxing or dystopias or whatall. But the real subject matter of all good romantic comedies are relationships and moral values; and the atmosphere in which those things are made coherent, consistent, realistic, and amusing, and in which they matter, even in the face of war or boxing or whatall, is in fact incredibly hard to create and sustain. Erin not only accomplishes that creation, she walks the line between the development of a relationship and the development of a self, and sharp wit and real pain, with truly impressive skill; and as an editor and romantic comedy fan, I wanted to say thank you to the Cybils judges for recognizing that accomplishment. 
  • If you have a blog or other publication and you'd be interested in reviewing my book, Second Sight:  An Editor's Talks on Writing, Revising, and Publishing Books for Children and Young Adults, please e-mail me at asterisk.bks at gmail dot com with your name, blog address, and any other pertinent information. Not all respondents will be sent copies of the book, but all interest is appreciated.  
  • Pleasure reading this holiday:  Jennifer Crusie’s Maybe This Time (devoured in 36 hours over the Christmas weekend) and George R. R. Martin’s A Clash of Kings. At a going-out-of-business sale, I bought a second copy of J-Crusie's Welcome to Temptation, probably my favorite contemporary romance novel ever; The Audacity to Win, David Plouffe’s memoir of managing the Obama campaign, for 2008 nostalgia in the face of 2011 House horror; and Story by Robert McKee, because I’ve always felt like a bit of fake for talking about McKeean principles (well, really Aristotelian ones) without ever having read his actual book, and now this shall be corrected. 
  • My New Year's Resolutions have always been less about specific behaviors I want to have than specific things I want to accomplish:  to run a 10K, to learn to knit, to try three new cuisines . . . all of which lead in turn to those specific behaviors, as I have to run regularly to be ready for a 10K, I have to develop a new skill with the knitting, I have to get out of the house more in order to find the cuisines. I haven’t created a proper list since 2006 or so, but this year I want to try it again, to help get myself back on track. So I want to run another half-marathon; finish the baby blanket I started knitting in, um, 2007 (and haven’t touched since then, for the record--this is not a monster blanket four years in the making); publish my book (which should go to print as soon as the designer and I hash out the final details on the cover); eat less sugar; finish reading War and Peace; and write these Rambles once a week. Best of luck with your new year and resolutions as well!

Some Things I'm Reading, Watching, & Thinking About

Previous posts on this topic:

A Little Roundup Pre-ALA

Much fun stuff happening lately! To wit:

If you're going to be at ALA Annual in Washington this weekend, come to my lovely authors' book signings! All take place in the Scholastic booth, #2624 (or, what's easier to find: under the gigantic red Scholastic banner that will be looming over all our heads).
I personally will be flitting about the convention from Friday evening, when I'm attending the awesome Kidlit Drink Night that Sara and her Mid-Atlantic SCBWI peeps are hosting, through Tuesday afternoon, when Francisco receives the Schneider Family Book Award for Marcelo. (Yay, Francisco!) If you see me, please say hi!

If you'll be in New York over the weekend instead of Washington, I recommend the "Notes from the Underground" play festival at the American Theatre of Actors, including a one-act directed by my own dear boyfriend, James Monohan -- "Bastard," by K. Alexa Mavromatis, which despite its blunt title actually has the feel of a good YA novel. It has two more performances, Friday and Saturday.

Anyone interested in plot structure: This Jennifer Crusie post is a must-read. Other things I've been reading lately: All five volumes of the Scott Pilgrim series, which were huge fun and have me eagerly anticipating both the sixth book and the movie (click here to see my avatar (winter edition) and make your own); A Game of Thrones by George R. R. Martin, which I found annoyingly interesting and compelling; and Where the Mountain Meets the Moon by Grace Lin, which was a perfect, calming, pleasingly round read before bedtime.

Arthur has started a blog.

Emily and I have decided that we don't get out of the office enough and explore our lunch options in Soho, so we're making it a summer project to go out one day a week. And thus far the experiment has been a roaring success, because I recently had the best sandwich I have ever eaten in my life -- "the Korean," with bulgogi-marinated steak, lettuce, and slaw, on Cuban bread with sesame oil -- at a place called Project Sandwich. Be still, my carnivorous heart. Any other suggestions for great Soho lunch places or excellent New York sandwiches are hereby welcomed.

The Brooklyn Arden 2009 Holiday Gift Guide

AKA, all my 2009 books and a few other favorite things. To wit:

Absolutely Maybe by Lisa Yee. Coedited by Arthur and me. CYBIL nominee.

Perfect for: YA readers; fans of hair dye or tacos; anyone who has ever worked a fast-food job; anyone with a crazy mother or charming best friend; people who like a mix of the funny and the bittersweet (that is, if you like laughing or crying); residents of Los Angeles, California.


Bobby vs. Girls (Accidentally) by Lisa Yee, illustrated by Dan Santat. Coedited by Arthur and me. Starred review in The Horn Book. New York Public Library 100 Titles for Reading and Sharing.

Perfect for: Boys; girls; particularly the seven- to nine-year-old members of both genders; anyone who has ever felt puzzled by the behavior of a person of the other gender; people who like donuts.

The Circle of Gold (The Book of Time III), by Guillaume Prevost, translated by William Rodarmor.

Perfect for: Fans of time travel novels, literature in translation, or the first two books in the series.



Heartsinger by Karlijn Stoffels, translated by Laura Watkinson. Two starred reviews.

Perfect for: People who like fairy-tale flavoring in their stories; people who are thoughtful about love; people interested in unconventional novel structures; fans of translated literature, character profiles, magic realism, and the Dutch.


Marcelo in the Real World by Francisco X. Stork. Five starred reviews; Booklist Editors' Choice; Kirkus Best Book for YA; Horn Book Fanfare List; School Library Journal Best Book of the Year; Publishers Weekly Best Book of the Year; New York Times Notable Book for Children; Washington Post Notable Book.

Perfect for: People interested in Asperger's syndrome, lawyers, how religion can affect everyday life, moral dilemmas, wonderful characters.

Moribito II; Guardian of the Darkness, by Nahoko Uehashi, translated by Cathy Hirano. Starred review in Publishers Weekly; USBBY Outstanding International Book.

Perfect for: Fans of fantasy, awesome female characters, martial arts movies, Japan, fascinating settings, literature in translation, or the first book, which was equally terrific and won the Mildred L. Batchelder Award for Translation.

Operation Yes, by Sara Lewis Holmes. Starred review in Booklist.

Perfect for: military families; rambunctious kids who get in trouble; kids interested in art or theater; precise kids who like to plan; teachers; people who take improv; people who love innovative, risk-taking children's literature,


The Snow Day by Komako Sakai. Four starred reviews; New York Times Best Illustrated Book; USBBY Outstanding International Book.

Perfect for: Fans of literature in translation; children with parents who travel a lot; anyone who longs for the peace and joy of a snowy day.

Wishworks, Inc. by Stephanie S. Tolan, illustrated by Amy June Bates. New York Public Library 100 Titles for Reading and Sharing.

Perfect for: People who like dogs; people who want a dog; fans of quality and charming chapter books.

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And things I had nothing to do with creating but I loved in 2009 and recommend highly:

Adult books: Zeitoun by Dave Eggers; The Beautiful Struggle by Ta-Nehisi Coates; Agnes and the Hitman by Jennifer Crusie and Bob Mayer; The Learners by Chip Kidd; The Kid: What Happened After My Boyfriend and I Decided to Get Pregnant by Dan Savage.

YA novels: How to Say Goodbye in Robot by Natalie Standiford, an underappreciated gem about a girl and a boy who don't fall in love; Destroy All Cars by Blake Nelson, an even less appreciated gem about a girl and a boy who were once in love, with each other and with the environment, and have to figure out the complications of each fading away; The Spectacular Now by Tim Tharp, the most spectacular feat of voice I read this year.

Middle-grade novels: Emma-Jean Lazarus Fell Out of a Tree by Lauren Tarshis; Alec Flint: The Ransom Note Blues by Jill Santopolo; When You Reach Me by Rebecca Stead.

Movies: Up in the Air; District 9; Star Trek; Bright Star; (500) Days of Summer

Things: A DVR; a wireless mouse; and my Good Grips vegetable peeler, the single best household investment I have made in many a moon.

Love.

Happy holidays!