Happinesses

"The Way It Is," by William Stafford

There’s a thread you follow. It goes among
things that change. But it doesn’t change.
People wonder about what you are pursuing.
You have to explain about the thread.
But it is hard for others to see.
While you hold it you can’t get lost.
Tragedies happen; people get hurt
or die; and you suffer and get old.
Nothing you do can stop time’s unfolding.
You don’t ever let go of the thread.

Happy News

This appeared today in the Publishers Weekly Children's Bookshelf e-newsletter:
Amy Cherry at W. W. Norton has acquired Cheryl Klein’s book on writing children’s and young adult fiction. Previously self-published as Second Sight: An Editor's Talks on Writing, Revising, and Publishing Books for Children and Young Adults, Klein will be revising, re-writing, and updating the book. Klein is the executive editor at Arthur A. Levine Books/ Scholastic, where she served as the continuity editor for the last two books of the Harry Potter series, and she also teaches in the publishing program at the NYU School of Professional Studies. Publication is planned for September 2016; Brianne Johnson at Writers House negotiated the deal for World English rights.
Hooray!

Some PAQ (Possibly Asked Questions):

W. W. Norton!

I know! The Norton Anthologies! And Michael Lewis! And Patrick O'Brian (swoon)! I am thrilled.

How will the new book be different from Second Sight?

We are still talking this through, but my goal is that it will be a more complete and fully integrated guide to writing fiction for children and young adults, with a structure that walks writers through all the major elements of fiction and the writing process, accompanied by exercises, worksheets, and practical examples to help them apply the ideas on the page. Much of the material will be new, and much of what is taken from Second Sight will be extensively revised.

So you're not self-publishing anymore. Why not?

This new project started because I wanted to revise Second Sight into the book I describe above. As I thought about what it would take for me to do that, I realized that I was (and am) at a different place in my life than I was when I put Second Sight together, and I could really use the support, structure, challenge, and deadlines provided by a traditional publisher.

When people have asked me about self-publishing in the past, I've always said that neither traditional nor self-publishing should be the universal prescription for every writer and every project -- that the choice always depends upon the nature of the book, its market, and the writer's abilities and expectations in relation to the project. This was the right book and the right time for me to switch to traditional publishing, and I'm very grateful to Brianne for encouraging me and connecting me with Amy at Norton.

What will happen with Second Sight?

Second Sight is now going into its fourth printing (also hooray!), and should remain on sale for at least the next year and a half. It is still available through Amazon, at my appearances, or by contacting me directly at asterisk [dot] bks [at] gmail [dot] com. I also remain enormously grateful to everyone who has supported the book through the years, and everyone who's told me about their experiences with it, good and bad. (Much of that criticism is informing the new draft.)

What's it like to be on the other side of the editorial desk?

Pleasant and yet extremely weird.

What will the title of the new book be?

We're still working on that, but I have faith the right title will come in time. Most titles do. (And suggestions welcome.)

Edited to add:  It arrived! The title will be The Magic Words:  Writing Great Books for Children and Young Adults.

Thank you for your interest!

Oh My Goodness, I Almost Missed This

Today, February 4, 2015, is the ten-year anniversary of Brooklyn Arden!


This blog took its current form one Friday night when I was home alone and lonely, and consequently decided to talk out loud to the Internet. The years I've spent talking out loud here since led directly to writers' conference appearances, new publishing projects, my website, my book, and many, many great conversations and connections. (As well as much enjoyable silliness:  See here and here.) The Internet and my life have changed enormously since I started writing in this space, and I'm a little sad I don't chatter as much here anymore. But I am also enormously grateful to this blog for the chance to "know what I think when I see what I say" for the past ten years, and to all of you for coming here, seeing it, and sometimes saying back. Thank you.

My Lenten Calendar


I like disciplines (cf. my half-marathon training going on now), but I also like where my life is now generally and don't feel a call to give anything up. Thus I'm going to adapt the House for All Sinners and Saints' 2012 Lenten Calendar for my own instead. Sharing my adapted version here (with dates for 2014) in case it interests you too:

March 5: Pray for your enemies
March 6: Buy a few $5 fast food gift cards to give to homeless people you encounter
March 7: Internet diet
March 8: Give $20 to a non-profit of your choosing

(Sunday)

March 10: Take 5 minutes of silence at noon
March 11: Look out the window until you find something of beauty you had not noticed before
March 12: Give 5 items of clothing to Goodwill
March 13: No bitching day
March 14: Do someone else’s chore
March 15: Buy a few $5 fast food gift cards to give to homeless people you encounter

(Sunday)

March 17: Call an old friend
March 18: Pray the Paper (pray for people and situations in today’s news)
March 19: Read Psalm 139 http://bible.oremus.org
March 20: Pay a few sincere compliments
March 21: Bring your own mug
March 22: Educate yourself about human trafficking www.praxus.org

(Sunday)

March 24: Forgive someone
March 25: Internet diet
March 26: No sugar day – where else is there sweetness in your life?
March 27: Check out morning and evening prayer at http://dailyoffice.wordpress.com
March 28: Ask for help
March 29: Tell someone what you are grateful for

(Sunday)

March 31: Introduce yourself to a neighbor
April 1: Read Psalm 121 http://bible.oremus.org
April 2: Bake a cake
April 3: No shopping day
April 4: Light a virtual candle http://rejesus.co.uk/spirituality/post_prayer/
April 5: Light an actual candle

(Sunday)

April 7: Write a thank you note to your favorite teacher
April 8: No shopping day
April 9: Use Freecycle www.freecycle.org
April 10: Donate art supplies to your local elementary school
April 11: Read John 8:1-11 http://bible.oremus.org
April 12: Worship at a friend’s mosque, synogogue or church and look for the beauty

(Sunday)

April 14: Confess a secret
April 15: No sugar day – where else is there sweetness in your life?
April 16: Give $20 to a local non-profit
April 17: Educate yourself about a saint www.catholic.org/saints
April 18: Pray for peace
April 19: Pray for your enemies (you probably have new ones by now) then decide which of these exercises you’ll keep for good

India Is Everything


For Christmas in 2007, about a year and a half after we met, I gave James this Lonely Planet guide to India, which we both very much wanted to visit. The book was an investment and a promise, a pledge and a challenge. But through the next five years, as other journeys and interests took up our lives, it sat on a shelf, quietly waiting. 

Then it came time to plan our honeymoon, and there was never any doubt where we were going.

A screen at the Qutb Minar complex in south Delhi 

James did nearly all of the planning here, and deserves all of the credit. We started in Delhi, in the "Mughal North" -- so called because many of the ancient buildings were built by the Mughal emperors . . .


. . . including this one, built by Shah Jahan as a tomb for his wife, Mumtaz, near Agra (where we went next). Twenty-two thousand people labored for twenty-one years on the Taj. Shah Jahan intended to build a black mausoleum that was otherwise identical to the Taj Mahal across the river from it, but his son Aurangzeb felt that he was spending too much time and money on buildings, so he imprisoned his father until his death here . . .


. . . in the Agra Fort, in an apartment with a view of the Taj. We learned incredible history like this over and over again in India -- of Akbar, Shah Jahan's grandfather, who established tolerance between Muslims and Hindus (before Aurangzeb threw it away), and the process of Independence and Partition, so very human and complicated -- and it made me angry with my world history classes in school, because why were we so big on Europeans when Indian history was just as awesome? Why didn't we learn about this too? 

These forts are astonishing structures -- huge castles that outdo any European fortresses I know of in scale and impact. The Agra Fort here was specially designed to withstand attack by an enemy who would be riding elephants, including a sloped, walled entranceway where defenders could pour boiling oil on invaders, and then roll boulders down the ramp if the oil didn't work. 


From Agra, we went to Jaipur, stopping along the way at the Chand Baori stepwell, which movie-loving readers might recognize from The Dark Knight Rises.


We splurged on the services of several drivers for most of our time in India -- a true luxury, as we didn't have to worry about catching trains or hauling baggage. (On the other hand, we often felt a little isolated from daily life, and Indian highways are the closest thing to a living game of Super Mario Kart I ever hope to experience in real life.) Nearly all of the trucks were painted with wonderful colors and designs. I asked one of our drivers why they were so decorated, and he said basically, "Why not?" -- and indeed, our solid American trucks and buses feel very boring and impersonal by comparison. 



Outside Jaipur, we visited the Amber and Jaigarh Forts, finding our way from one to the other through an open tunnel with monkeys watching us from overhead. (I told James, "This is what a honeymoon should be! Adventure plus monkeys!") In the city, we marveled at the decoration of the City Palace, including these peacocks.


We spent a lovely night at the Deogarh Mahal -- a former maharaja's palace, now converted into a luxury hotel straight out of a fantasy novel. We scrambled over the flat roofs taking pictures, saw a Rajasthani dance performance in the courtyard here, and walked the narrow, twisting streets outside, purchasing a number of shawls from a kind shopkeeper who promised to feed us dinner the next time we came to town.


One of our most unexpected and delightful excursions was a two-hour train ride through the Rajasthani mountains, which our driver arranged for us. A little wizened man with a kettle poured us tiny disposable cups of chai (hot, delicious, sweet Indian spiced milk tea that I could happily drink at every meal for the rest of my life), for the grand price of ten rupee each (about twenty cents).


More monkeys at a train stop. I never got tired of seeing them.


From there, we went to Udaipur, the "Venice of the East" for its location on the banks of Lake Pichola. (The Lake Palace Hotel here appeared in the film Octopussy, which played every night at half the restaurants in town.) This was likely our favorite city in India, as we loved the winding streets and views of the lake, and a wonderful vegan restaurant called Millets of Mewar, where we went for breakfast, lunch, and dinner over the three days we were in town.


In the city garden, this group of tourists stopped James and me and asked us to pose for pictures with them. This happened over and over again in India, pretty much everywhere we went, and especially with groups of schoolchildren or teenagers. (It is weird to think how many people's vacation photos I appear in.) I asked these ladies if I could take a picture of them minus me, because I was madly jealous of all the gorgeous saris, shalwar kameezes, tunics, and other clothes I saw on women throughout the country, but I rarely had the opportunity to take photos of said clothing with permission. As with the trucks, the brightness puts our Western neutrals to shame. 


From Udaipur, we flew to Mumbai, which I also really liked.... While we did not see a great deal of the enormous city, what we did see felt like New York to me, crowded and cosmopolitan, a mix of old architecture and new structures, tradition and the cutting edge, and as everywhere in India, the enormous contrast between rich and poor. This is the city's laundry center, where (according to our tour guide, whose hand you can see here) nearly all the laundry that is sent out for washing is still hand-scrubbed, hung, and ironed. Note the skyscrapers standing just beyond.

The ironies of this contrast are further explored in Behind the Beautiful Forevers by Katherine Boo, a nonfiction book I read on the trip, which I cannot recommend highly enough as a portrait of a community, an exploration of the causes and effects of poverty, and an extraordinary work of reportage and writing. It is set in a slum near the Mumbai airport in 2008, and I found myself constantly thinking of the people in the book while we were in the city -- wishing almost that I might run into them and find out what happened next in their lives.

The other book about India I would recommend enormously, both as historical context and just as a wonderful read, is Indian Summer: The Secret History of the End of an Empire, by Alex von Tunzelmann. It traces the causes of the British withdrawal, the thrill of Independence, and the disaster of Partition through five fascinating figures:  Dickie Mountbatten, the British envoy; his wife Edwina, who was arguably more competent; Jawaharlal Nehru, who had an intense affair with Edwina in the midst of becoming India's first prime minister; Mohandas Gandhi, who comes off terribly; and Mohammad Ali Jinnah, the founder of Pakistan. I kept leaning over to James to tell him fascinating facts I was learning -- such as the fact that Pakistan is a made-up name, as before Partition, there were no people called "Pakis." Rather, it was an acronym for the northwestern, mostly Muslim regions of India selected for the country: Punjab, Afghania Province, Kashmir, Sindh, and Baluchistan. Illuminating, no? And it reminded me how much the history we take as settled fact is in fact made of people's choices, like the ones our leaders decide every day...


After our tour of Mumbai, we went to see a delightfully ridiculous Bollywood film called Dhoom 3, which was Moulin Rouge meets The Prestige via Bad Boys. We couldn't understand any of the Hindi dialogue, but this mostly wasn't a problem. (Sample dialogue for the Americans: EVIL BANKER: "Who's robbing my bank?" BLONDE FEMALE COP: "It's a thief, sir.")


This was taken at Elephanta Island -- a historic site about six miles off the coast of Mumbai (with no elephants, for the record) -- and the litter was unfortunately very typical of everywhere we went in India. . . .


But then, so was the wonder I felt on seeing this, also on Elephanta -- a relief sculpture of the god Shiva, deep in a cave, radiating peace, and carved in the sixth century A.D. -- easily one of the oldest, most awe-inspiring places I've ever been. If we ever return to India, as we hope to do someday, I want to visit more sculpture caves like this.

 

Always good advice. 

From Mumbai, we flew to Kerala, the state at the southwestern tip of the subcontinent known as "God's Own Country" -- and if you told me the Garden of Eden was located there, I would believe you. We stayed for three nights at a cardamom plantation in the mountains near Thekkady.


One day we took a three-hour nature trek through the Periyar Nature Reserve, where we saw this mama and baby elephant feeding in the wild. We also saw an awesome demonstration of kalaripayattu, which thrilled me especially, as it's the martial art that Ash Mistry learns in The Savage Fortress and The City of Death.



Then we descended to the coast, where we spent a delicious night on a houseboat in the backwaters. I got up at six a.m. and watched the sun rise from our deck, along with thousands of talkative waterbirds.

On our last leg of the trip, we went to Mysore, where we visited the palace and zoo, and stayed in another palace, the Lalitha Mahal:

 Yeah, I could eat breakfast here every morning.

And our last activity of the journey was visiting a friend's digital animation company in Bangalore -- on the nineteenth floor of an anonymous office building, the lights off and the windows covered in shades, three hundred animators at rows of flatscreen computers carefully sculpting a nose here, a gesture there. That, too, is India.

As a honeymoon, it was not the easiest:  I have never been on a trip that thrust my extreme privilege as a white American, and how easy I do have it, and how intractable the world's problems are, so much in my face over and over again. I keep turning those issues over back in my New York bubble -- where we have so little history, comparatively; where I can drink the water -- and I am not sure where to start. But as a personal experience, I learned so much, and did so much, and rested and read so much, and saw so much, so that I felt sometimes like nothing but a pair of eyes -- and ate so much, as oh my goodness, the food, the FOOD -- we have no sense of how to cook vegetables here, really, and I could also happily eat Indian food (especially Southern) at every meal for the rest of my life. And I haven't mentioned the tea plantations or the security, the cement advertisements or the languages, the milk scammers in Mumbai or James's obsession with Shantaram, the ways in which their environmental adaptations are ahead of ours, our wonderful friends in Delhi or the boat ride in Udaipur or praying in a temple and all the other monkeys we saw . . .

It was everything I hoped it would be -- a wonderful, challenging trip that stretched my mind in the best ways. And I am so very grateful for it, and for the husband who planned it; and everything goes on. 

The Best Thing I Have Seen This Year

. . . was the LeakyCon 2013 Opening Ceremonies musical finale, written by Tessa Nutting et al., performed by an amazing cast (all of whom had about 48 hours' notice), and staged last Thursday in Portland, Oregon. If you're a fan of Rent, Doctor Who, Glee, Harry Potter, The Lord of the Rings, Buffy the Vampire Slayer, The Hunger Games, Sherlock, The Avengers or other superheroes, Bonnie Tyler, Disney musicals, Twilight, or John Green and Brotherhood 2.0, there was something in this number for you. (The basic plot setup is that while Frodo and Samwise Gamgee sought the Ring of Fandom, Loki tried to dissuade the various characters lost in the Forest of Fandom from hoping there could be a place where they could all unite . . . until the 12th Doctor showed up, and the rest is "La Vie Fandom.") Click the little "CC" beneath the YouTube window to turn on the captions and catch all the references.


And if you enjoy the video, come next year! It's a fantastic weekend.


A Brief Ramble on Character and Self Consistency

Lord, I love Zadie Smith's essays, like this wonderful piece in last week's New Yorker on Joni Mitchell, changing artistic tastes, changing selves, and artistic continuity:
Who could have understood Abraham? He is discontinuous with himself. The girl who hated Joni and the woman who loves her seem to me similarly divorced from each other, two people who happen to have shared the same body. It's the feeling we get sometimes when we find a diary we wrote, as teenagers, or sit at dinner listening to an old friend tell some story about us of which we have no memory. It's an everyday sensation for most of us, yet it proves a tricky sort of problem for those people who hope to make art. For though we know and recognize discontinuity in our own lives, when it comes to art we are deeply committed to the idea of continuity. I find myself to be radically discontinuous with myself -- but how does one re-create this principle in fiction? What is a character if not a continuous, consistent personality? If you put Abraham in a novel, a lot of people who throw that novel across the room. What's his motivation? How can he love his son and yet be prepared to kill him? Abraham is offensive to us. It is by reading and watching consistent people on the page, stage, and screen that we are reassured of our own consistency.
This made me think of the fact that often the moments I love most in fiction or film are the moments where a character does something that is seemingly inconsistent with his or her outward character, but completely consistent with his or her inward self, which we've glimpsed throughout the proceedings . . . a sacrifice, an unexpectedly marvelous dance, a moment of honesty or tenderness they weren't capable of at the beginning. It is often the revelation of that character's strength through the demonstration of their vulnerability, and it shows us layers, dimensions, complexity, reality, all the things I like best.

That said, I disagree a little with the last few sentences of the paragraph I quote above because I don't find Abraham inconsistent at all; his obedience to his god simply outranks his love for his son, which could certainly be found offensive if you disagree with those rankings, but which is not a matter of discontinuity. And I think I like watching consistent fictional people not because I am like them, but because their dependability, the cleanliness of their consistency, anchors and comforts me in my own wild ups and downs. One of the great joys of fiction is that it can be neater than life; the best fiction either organizes the reader's emotions completely, I think, or just barely manages the messiness of reality. 

Agree? Disagree? In my inconstancy, I'm open to persuasion.

Finally, this essay also reminded me of this extraordinary version of "Both Sides Now" -- made famous in the Emma Thompson weeping scene in "Love, Actually" -- which almost makes me cry every time I hear it with its texture of pain and wisdom. It is worth stopping what you're doing to breathe and to listen:

Good People of Seattle! I Have a Mission for You!

Over a year ago, Arthur and I were contacted by the Make-A-Wish Foundation regarding a young Seattle-area writer named Stephanie Trimberger (who was 13 at the time; she’s 15 now). Stephanie has brain cancer, and her dream was to have her novel edited by “the Harry Potter editors.” Arthur and I read it and wrote her an editorial letter, and she began working on revisions. A year went by, and we didn’t hear anything more. Then last week, we heard that she had finished her book and wanted us to take one last look. 

Thanks to the terrific coordination of a lot of people at Scholastic, we not only managed to edit it quickly, but our designers typeset the manuscript and created a gorgeous cover for it. And with the help of an extraordinarily generous donation from the printer, three hundred copies of Stephanie’s THE RUBY HEART have now been printed. 

Your Mission, Seattle Area People!:  Next Tuesday, September 25, at 6 p.m., Stephanie will be doing a reading and signing of her book at the Pacific Place Barnes & Noble. Will you please, please attend? It would be so very awesome to have a big audience there to applaud her accomplishment and make it a great day for her. Stephanie is a huge reader of YA and fantasy fiction; she lost her mom to brain cancer nine years ago, and it sounds like she’s been writing about that long. I’m sure ALL writers can sympathize with her dream of publishing a book, and it should be an amazing evening in seeing that dream fulfilled.

The details in full:

Tuesday, September 25
6 p.m. (it was scheduled for 5:30 earlier; the time has been moved back)
Barnes & Noble Pacific Place
600 Pine Street, Suite 107
Seattle, WA 98101
(206) 265-0156

You can RSVP or leave a message for Stephanie at the Facebook page for the event. Thank you!

[This Space Intentionally Left Blank]

I was walking home tonight in the lovely air, only the slightest bit tipsy, and thinking about the fact that I am not going to blog tomorrow or Thursday, or the 22nd either, because I missed blogging last Wednesday by accident, and if I can't honestly blog every day of the month, by God, I can at least make a pretty design in the little calendar to the right. In any case, thinking about blank spaces made me think of one of my favorite passages from what I honestly believe is one of the funniest YA novels ever written, The Year of Secret Assignments by Jaclyn Moriarty. Emily and Charlie are writing back and forth, and he's just written a rude letter insulting her. She thus sends him a letter reading "You talk a pile of crap." twenty-eight times, and then adds the following P.S.'s:
P. S. I decided to use this opportunity to practice my handwriting. As you can see, I am developing a highly eloquent style.
P.P.S. I got a Secret Assignment yesterday and GUESS WHAT. I'm not going to tell you what it is.
P.P.P.S. I have to go now because you are wasting my TIME.
P.P.P.P.S. The next letter you get from me will be an empty envelope, so be prepared for misery. 
Charlie then responds by telling her a long (and true, so far as he knows) story about how he saved the lives of the whole school from a gas leak, and concludes, "I liked your handwriting in your last letter. It was cute."

She writes back:
CHARLIE:
THIS, AS YOU WILL SEE, IS AN EMPTY ENVELOPE.
EMILY. 
And this is so completely in tune with who Emily is, so adorably resolute in her ditzy brilliance, I still smile every time I think of it. (Ditto with "You are Argentina.")

So, readers, despite all the foregoing:

THIS, AS YOU CAN SEE, IS AN EMPTY BLOG POST.

CHERYL.


See This: "Rineke Dijkstra: A Retrospective"


The Guggenheim Museum in New York right now has an extraordinary exhibit called "Rineke Dijkstra: A Retrospective." Ms. Dijkstra is a Dutch photographer who takes large-format pictures of human beings at moments of change and transition, and their humanity is so much on display, so rich and beautiful and specific and true, that these single images feel like entire character studies. She specializes in pictures of children and teenagers, like this one above. . . . The instability of the way this boy is standing, his slightness and off-centeredness; the vulnerability established by his near-nakedness and his size vs. the endless sea behind him; his watchful gaze, not fully trusting or warming to the photographer -- and rightly, as she's caught so much of him; and the promise of the man inside him, learning how to look strong, how much of himself he should give away:  I find this image (and nearly every other picture in the show) both wonderful and heartbreaking in its ability to see and capture all of that. I want to read novels about all of her people.

The show included five video installations that likewise focus on individuals, in locations ranging from a dance club to an art museum, against simple backgrounds, so their actions and words speak for themselves. This one, for instance, "Ruth Drawing Picasso," was nearly six minutes of a single shot of a girl making her own sketch of a Picasso painting (this visitor-shot excerpt is just 42 seconds):

And as boring as that may sound, the film kept me fascinated for all six minutes, simply because it felt so wonderfully rare and fresh to do nothing but look at another human being for a sustained period of time, as Ms. Dijkstra does. More than that, Ruth doesn't seem self-conscious about being watched, as many of the kids in the dance-club videos do (and as I always do on camera); she sighs, draws a line, scratches it out, gropes for a pencil, looks around at her friends, looks up at the painting and down at her paper again, draws another line. . . . It's such an honest portrait of the creative process, and of a human being in general, that I felt my heart warm toward Ruth for all of her particularities, including those I recognized in myself. Thus the exhibition did what the best art (to me) always does:  It made me love the world more, and the people in it, in all of our vulnerable, pained, ephemeral glory, and made me feel thankful we're all here together -- with Ms. Dijkstra and her camera to capture us.

At the Guggenheim, Fifth Avenue and 89th St., through October 8.

A Blogiversary!

Today is March 4, and that means it is the seven-years-and-one-month blogiversary of Brooklyn Arden. I will allow these fine gentlemen to express my feelings on the occasion:


Some other things to celebrate:
  • Words in the Dust by Trent Reedy was named a Golden Kite Honor Book for Fiction by the SCBWI!
  • My Plot + Structure Master Class for the Inland Empire SCBWI went well on Saturday, and while my brain felt finely fricasseed afterward, it has now recovered!
  • I just ordered a second printing of Second Sight!
  • It is Sunday night and I just watched an episode of Sherlock I have never seen in full! (It was "A Study in Pink," and it was delightful.) 
Here's wishing you all many Kool, exclamation-point worthy good things this week.

How I Spent My February Vacation

Thanks to the magic of frequent-flyer miles and my good friend Donna Freitas, I ran away to Barcelona! If you'd like to see pictures, you can check them out here.

(The lovely thing about the Internet for vacation photos:  I can enthuse about Gaudi and goofy Catalan words for as long as I like, and you can ignore me as much as you like. We both win!)

A brief video of a brooch I would not want to wear, from the Dali museum in Figueras:


And, for the hell of it, another video of some food I did actually eat. The restaurant was called the "Buffet Giratorio," which I found delightful. It was amazingly hypnotic just to sit there and watch it go by.


(These video selections, and this post as a whole, are brought to you by my jetlag. Also my smartphone, which is why the quality is not great.)

I read Bossypants by Tina Fey, a short biography of the aforementioned Gaudi, and about 150 pages of The Art of Fielding on the trip. The Gaudi biography was disappointing, because I wanted it to go inside his head and explain his bravery and vision and imagination, and it's well-nigh impossible to do that with a genius. But Bossypants is terrific about all the joys and contradictions of being a woman in the modern age, even if (especially if, I suppose) you're as awesome as Tina Fey, and it's hilarious as well.

The business part of the trip:  Donna is the author of this also thoroughly delightful book, coming out in June, edited by moi. It is exactly the book I would have wanted to read as a preteenager obsessed with gymnastics, and our "business" consisted of discussing the fact that not one but TWO Newbery Medal winners have now blurbed it. Yay!



If you'd like to win a galley of it, let's see -- tell me what international city you'd most like to run away to and why, and I will do a random drawing before the end of the month.

Now it is back to work for me. Here is wishing you unexpected joys like mosaic-covered dragons and all-you-can-eat raw fish on conveyor belts wherever you are.

A Walk Up Crosby Street

When it comes to subways in New York, I've always been an orange line commuter: the F for the eight years I lived in Park Slope, and the B for the last 2.75 years in Prospect Heights. But this summer, I've discovered the pleasures of the big yellow Q train from Brooklyn to Manhattan. First I get to cross the Manhattan Bridge on the southern tracks, allowing a much better view of the Brooklyn Bridge:


(image stolen from this nice blog here, as I failed to take such a picture this morning)

And then, after I get off at Canal Street, the first stop in Manhattan, I get to walk up Crosby Street, one block over from Broadway, and I never fail to see something interesting. For instance:

The window of De Vera Objects at 1 Crosby, featuring a small statue wearing a gorgeous dress made out of paper:


Across the street, above Jil Sander, some watchful mannequins:


A glimpse into the garden and windows of Imperial Number Nine.

Just outside the Vespa shop at 13 Crosby, provoking dreams of Roman Holidays:


The Saturdays NYC Surf Shop and Espresso Bar (not kidding) at number 31:

A view of the brick street itself, many times patched, which makes me think about all the years and vehicles and changes those bricks have seen:


At the corner of Broome and Crosby, the multilevel parking platforms that I never fail to find fascinating, especially if I’m lucky enough to be there when they’re taking a car down; not to mention a very New York skyscraper, billboard, and water tower:


Some wonderful artistic graffiti by New Yorkers who walk at night:


The window at All Saints, a UK clothing chain at 512 Broadway, filled with Singer sewing machines:


In the lobby of the very posh Crosby Street Hotel, a giant head made of joined letters (which is what my head feels like some days). They do a glorious afternoon tea here, though I find it a little too posh and formal to be cozy.

And then I turn left at the corner of Prince St. and walk over to Broadway and go to work, inspired by the diversity and energy of the city and all its beautiful things.

Watch Trent on the Today Show!

Update:  You can see the video of Trent's appearance here.

Posting VERY quickly to note that Trent Reedy, author of the book WORDS IN THE DUST, will be on NBC's Today Show this Friday, May 20! (Previous posts about this book here and here.) Pending breaking news, he should be on with Al Roker and his Book Club for Kids around 9:45 a.m. EST. Please tune in if you support one of the following:
  1. Children's literature on network TV
  2. Realistic contemporary children's literature in general
  3. Books about other places and peoples
  4. Afghan women and girls 
  5. The U.S. military
  6. Books about people of color
  7. With said people on the covers
  8. Trent
  9. Extremely nice guys like Trent
  10. The Vermont College of Fine Arts or the Erin Murphy Literary Agency
  11. Katherine Paterson, our current Children's Laureate
  12. Me and/or my books
  13. Scholastic and/or Arthur A. Levine Books
And if one of those does not apply to you, I really don't know why you're reading this. Thanks for your support!

If You Like It, Then There's Only One Thing You Should Do.

So last Saturday morning, James and I decided to go for a run around Prospect Park, as we often do on weekends. We got dressed in our running clothes, and I noticed he was wearing a jacket over his long-sleeved shirt and exercise pants. "Aren't you going to be hot in that?" I asked, since it was sunny and the temperature was in the fifties.

"I can just tie it around my waist," he said.

I shrugged, and we locked up the apartment and set out for the park. We stretched on the plaza just behind the farmers' market, then ran along the north side of the park with our respective iPods. (That day I was listening to the greatest hits of Bruce Springsteen: "Badlands," "Thunder Road," "Hungry Heart.") I was still transitioning back to running outside after the winter's treadmills, so I was determined to complete a whole loop without stopping to walk.

One of my very favorite places on Earth

As we ran down the west side hill, James said, "You know, I think we should take this cross-country route my brother showed me." I said sure, and we turned left on the road that cut east through the park above the lake. As we approached the first bend, he said, "Let's go up this hill."

I said, "No, I want to do the whole loop."

He said, "You really should see the view from the top."

I said, "No, I've seen it before, come on."

He said, "It's a shortcut, just trust me on this." (Which I didn't, because I've been running around the park for at least as long as he has, and I knew that running up Lookout Hill was no shortcut.)

But we went up the hill, with me grumbling at climbing the stairs. ("It's good for our glutes!" James said.) The path switchbacked to the west, and I said, "You do realize that we're going backwards now, right? Not the direction we want to be going?" He just nodded and encouraged me to keep running. We went over a terrace and ended up at the circle on top of Lookout Hill, the highest point in the park. I figured we'd go round the circle and run back down to continue the loop.

But as we started around to the left, a man in Victorian dress and spectacles hailed me: "Hello, fair lady!" Cheerful greetings from people in eccentric costumes are not that unusual in New York, so I figured he was some kind of actor doing street theatre in the park, and stopped to hear what he had to say. James slowed down alongside me. The man in costume pulled out a scroll and read from it: "It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of . . . more fortune!" And he went on to deliver a speech liberally laced with Jane Austen quotes, all demonstrating his avarice. He ended by suggesting that we speak to his friend a little farther on, "Though I warn you--the stupidity with which he was favored by nature guards his courtship from any charms."

I felt both delighted and deeply confused by this turn of events, so I looked at James and said, "Do you know anything about this?" It was his turn to shrug. The next man, in similar costume and with a similar scroll, offered a similar speech, including "In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love -- myself."

About midway through this fine peroration on his own charms, my brain started thinking, This has to be what I think it is. Is it? Oh my, is it really? This gentleman concluded by looking around for an additional list of his good qualities. James held up a scroll of his own and said, "Is this it?" The man examined it and said, "No, I think you should read this one."

And James did, quite nervously and sweetly. I won't share everything he said, but he got down on one knee (as mandated by my favorite movie), and he also invoked one of my favorite descriptions of marriage of all time, from John Stuart Mill's On the Subjection of Women, in saying that he hoped it's what we might have as well:
On the contrary, when each of the two persons, instead of being a nothing, is a something; when they are attached to one another, and are not too much unlike to begin with; the constant partaking in the same things, assisted by their sympathy, draws out the latent capacities of each for being interested in the things which were at first interesting only to the other; and works a gradual assimilation of the tastes and characters to one another, partly by the insensible modification of each, but more by a real enriching of the two natures, each acquiring the tastes and capacities of the other in addition to its own . . . When the two persons both care for great objects, and are a help and encouragement to each other in whatever regards these, the minor matters on which their tastes may differ are not all-important to them; and there is a foundation for solid friendship, of an enduring character, more likely than anything else to make it, through the whole of life, a greater pleasure to each to give pleasure to the other, than to receive it. . . . What marriage may be in the case of two persons of cultivated faculties, identical in opinions and purposes, between whom there exists that best kind of equality, similarity of powers and capacities with reciprocal superiority in them -- so that each can enjoy the luxury of looking up to the other, and can have alternately the pleasure of leading and being led in the path of development -- I will not attempt to describe.
And with such a prospect before me, dear reader, I said yes!

James gave me his late mother's engagement/wedding ring, which was just my size; and the last week has been a flurry of informing friends and family, accepting congratulations, and starting conversations about dates and locations for the grand party we hope to throw for those same friends and family. (I'm from the Midwest, he's from the Bay Area, and we live in New York, so we have the entire United States open to us.) The two gentlemen in costume were friends of James's, unknown to me; James wrote the scripts with all the Jane Austen references to please me, featuring characters with defects (greed and vanity) that would highlight his own suit in turn--"classic literary foils," he says. He rented the costumes for them from a shop in Midtown.

Mr. Avarice and Mr. Vanity

And James had to wear the jacket because it carried both his proposal and the ring! (I've forgiven him for making me run up the hill.)

My Weasley and me

Thank you for your good wishes, all!

Thank You, Jimmy Fallon

I have never seen a complete episode of "Late Night with Jimmy Fallon," but I now owe him for two of my favorite TV moments of the past year (both of which I actually watched on YouTube, natch). First the terrific opening to the 2010 Emmy ceremony:



And then, from this past Friday, Stephen Colbert singing Rebecca Black's "Friday" with assorted guests (infinitely better than the original):



I love the way the delights just add up and cascade over in both of these videos -- first the cast of "Glee," and then Tina Fey! And Jon Hamm!* And Hurley! Or Stephen Colbert, and then the poker-faced Roots, and then the rapper guy and Jimmy Fallon, then the first mystery musical guest . . . And the performances also embody two of the things I love most about musical theatre in general: a whole community working together in glorious harmony, and the perfect balance between unfettered expression of an emotion and planned-down-to-the-second choreography. Sigh.

* Emily and I were discussing the news that Mad Men won't be back until early 2012, and she posed a terrifying conundrum: What if Season Five of Mad Men and Season Two of Downton Abbey are on Sunday nights at the same time? Which group of complex, lusty, class-driven, fabulously dressed characters would I choose to follow through their complicated, often backstabbing, money-drenched, totally character-driven plots first? I've known the Mad Men people for longer (and there's the whole mystery of who that newly important character actually is deep down that we'll need to discover), but Downton Abbey has both World War I and Bates's wife coming, and all those hats. . . . Sigh deux, with the sincere wish that such a soul-rending choice can be avoided.

La La La

I've always loved the rejected epigraphs for Dave Eggers's A Heartbreaking Work of Staggering Genius, one of which is:
"Ooh, look at me, I'm Dave! I'm writing a book!
With all my thoughts in it! La la la!"
-- Toph Eggers (the author's little brother)

With all due respect to both Mr. Eggerses:

Here I am! I'm Cheryl! And I wrote a book! With all my thoughts in it!

And I am happy. That is all.

Blogiversary and Book Cover!

Today, February 4, is a pretty significant day in my personal yearly calendar. In 2003, my dear Grandma Carol passed away. In 2005, I rejuvenated this blog, which had lain dormant for exactly two years. In 2006, I celebrated my first blogiversary, and I've tried to mark it every year since with a few brief words.

And in 2011, this is going to print:



And this is very much the culmination of all the February 4ths that have come before it: Second Sight is dedicated to the memory of my grandma (as well as my papa), and it would never have come about without this blog -- quite literally, as the blog led to my website led to writerly interest led to more talks led to the idea led to Kickstarter led to this finally happening. Thanks to all of you for your support through the years, on the blog and for the book: It is truly, deeply appreciated.

The cover was designed by Whitney Lyle, who is newly on staff at Scholastic, with much gadflyish art direction from me. (Seriously, editor + author + client in one person = designer's worst nightmare, but she has borne it with good grace.) I've been looking at versions of this cover for about three months now, and somehow posting it here and on Facebook today, e-mailing it to my book fulfillment people for my online shop, getting ready to send it to press -- it has finally become really real. Which I find a wee bit terrifying, I confess. But I so admire all you writers and illustrators for your daring and bravery, making things you imagined real in the world; and I'm excited to finally be taking that step myself at last. Hooray!

A Little Roundup Pre-ALA

Much fun stuff happening lately! To wit:

If you're going to be at ALA Annual in Washington this weekend, come to my lovely authors' book signings! All take place in the Scholastic booth, #2624 (or, what's easier to find: under the gigantic red Scholastic banner that will be looming over all our heads).
I personally will be flitting about the convention from Friday evening, when I'm attending the awesome Kidlit Drink Night that Sara and her Mid-Atlantic SCBWI peeps are hosting, through Tuesday afternoon, when Francisco receives the Schneider Family Book Award for Marcelo. (Yay, Francisco!) If you see me, please say hi!

If you'll be in New York over the weekend instead of Washington, I recommend the "Notes from the Underground" play festival at the American Theatre of Actors, including a one-act directed by my own dear boyfriend, James Monohan -- "Bastard," by K. Alexa Mavromatis, which despite its blunt title actually has the feel of a good YA novel. It has two more performances, Friday and Saturday.

Anyone interested in plot structure: This Jennifer Crusie post is a must-read. Other things I've been reading lately: All five volumes of the Scott Pilgrim series, which were huge fun and have me eagerly anticipating both the sixth book and the movie (click here to see my avatar (winter edition) and make your own); A Game of Thrones by George R. R. Martin, which I found annoyingly interesting and compelling; and Where the Mountain Meets the Moon by Grace Lin, which was a perfect, calming, pleasingly round read before bedtime.

Arthur has started a blog.

Emily and I have decided that we don't get out of the office enough and explore our lunch options in Soho, so we're making it a summer project to go out one day a week. And thus far the experiment has been a roaring success, because I recently had the best sandwich I have ever eaten in my life -- "the Korean," with bulgogi-marinated steak, lettuce, and slaw, on Cuban bread with sesame oil -- at a place called Project Sandwich. Be still, my carnivorous heart. Any other suggestions for great Soho lunch places or excellent New York sandwiches are hereby welcomed.