Videos

The Scholastic Spring 2014 Librarian Preview

I'm proud to have edited three great novels that span ALL OF TIME in the Scholastic Spring Librarian Preview, which you can see here:
  • The Great Greene Heist, by Varian Johnson, at 6:48 in the middle-grade section:  A contemporary Ocean's 11 set in a middle school, with a sweet romance, a sharp sense of humor, and a wonderful diverse cast.
  • Divided We Fall, by Trent Reedy, at 5:54 in the YA presentation:  In this novel set in the not-too-distant future, Danny Wright finds himself caught between his state and his country, his governor and his president -- and soon enough, in a second American civil war.
  • Curses and Smoke, by Vicky Alvear Shecter, at 6:54 in YA: In 79 AD, a rich girl and a rebellious slave fall in love in the shadows of Pompeii.  
If you're a book blogger, a teacher, or a librarian, please look out for galleys of all of these at upcoming conferences or on NetGalley. Thanks! 

The Scholastic Spring 2013 Preview!

The online existence of this preview will be old news to many, but good news to more:  Behold the lineup of Scholastic's Spring 2013 books! We recorded it a little bit differently this time, so you get a glimpse inside many of the editors' offices, including mine*, where I talk about the books:
  • The Path of Names by Ari Goelman, at 13:46 in middle grade -- The ONLY Jewish summer-camp fantasy you'll ever read or need:  Diana Wynne Jones meets Chaim Potok in the Poconos, with a wholly original magic and some of the smartest, most believably snarky 12-year-olds ever to appear in a novel. Out in May.
  • Openly Straight by Bill Konigsberg, at 8:00 in YA -- This has pretty much everything I'm looking for in a novel these days:  An original, provocative premise; wonderful characters; a smart, funny, relateable voice; believable consequences to its action; the courage of its convictions in following through on its ideas and story; and pleasure in reading, provoking thought long after. Also: THIS IS NOT JUST A BOOK FOR GAY PEOPLE. STRAIGHT PEOPLE SHOULD READ IT AND WILL LOVE IT TOO. (I feel the need to make that point.) Out in June. 
  • The Fire Horse Girl by Kay Honeyman, immediately after it -- This book satisfied every single teen-girl reader part of me:  the headstrong heroine, who was sometimes lonely because of her iconoclasm; the fascinating historical background of Angel Island and San Francisco in the age of the tongs; terrific adventures; a romance whose tiny gestures I could reread again and again. In stores now!
There will be more to say about all of these books in the course of the year. In the meantime, won't you please check the preview out to see them now?

Librarian Preview

* Fun fact: The KID LIT Missouri license plate you can see over my shoulder belonged to my grandfather.

A Brief Ramble on Character and Self Consistency

Lord, I love Zadie Smith's essays, like this wonderful piece in last week's New Yorker on Joni Mitchell, changing artistic tastes, changing selves, and artistic continuity:
Who could have understood Abraham? He is discontinuous with himself. The girl who hated Joni and the woman who loves her seem to me similarly divorced from each other, two people who happen to have shared the same body. It's the feeling we get sometimes when we find a diary we wrote, as teenagers, or sit at dinner listening to an old friend tell some story about us of which we have no memory. It's an everyday sensation for most of us, yet it proves a tricky sort of problem for those people who hope to make art. For though we know and recognize discontinuity in our own lives, when it comes to art we are deeply committed to the idea of continuity. I find myself to be radically discontinuous with myself -- but how does one re-create this principle in fiction? What is a character if not a continuous, consistent personality? If you put Abraham in a novel, a lot of people who throw that novel across the room. What's his motivation? How can he love his son and yet be prepared to kill him? Abraham is offensive to us. It is by reading and watching consistent people on the page, stage, and screen that we are reassured of our own consistency.
This made me think of the fact that often the moments I love most in fiction or film are the moments where a character does something that is seemingly inconsistent with his or her outward character, but completely consistent with his or her inward self, which we've glimpsed throughout the proceedings . . . a sacrifice, an unexpectedly marvelous dance, a moment of honesty or tenderness they weren't capable of at the beginning. It is often the revelation of that character's strength through the demonstration of their vulnerability, and it shows us layers, dimensions, complexity, reality, all the things I like best.

That said, I disagree a little with the last few sentences of the paragraph I quote above because I don't find Abraham inconsistent at all; his obedience to his god simply outranks his love for his son, which could certainly be found offensive if you disagree with those rankings, but which is not a matter of discontinuity. And I think I like watching consistent fictional people not because I am like them, but because their dependability, the cleanliness of their consistency, anchors and comforts me in my own wild ups and downs. One of the great joys of fiction is that it can be neater than life; the best fiction either organizes the reader's emotions completely, I think, or just barely manages the messiness of reality. 

Agree? Disagree? In my inconstancy, I'm open to persuasion.

Finally, this essay also reminded me of this extraordinary version of "Both Sides Now" -- made famous in the Emma Thompson weeping scene in "Love, Actually" -- which almost makes me cry every time I hear it with its texture of pain and wisdom. It is worth stopping what you're doing to breathe and to listen:

Postscript: Stephanie Trimberger's Book Signing

A few weeks ago, I posted a request for the good people of the Pacific Northwest to come out and support Stephanie Trimberger at her book signing for The Ruby Heart. Said people responded in force, and you can see Stephanie, her father, Arthur, and footage from the event in this wonderful MSN.com video here. Have Kleenex at the ready:

"Harry Potter" editors make dream come true

See This: "Rineke Dijkstra: A Retrospective"


The Guggenheim Museum in New York right now has an extraordinary exhibit called "Rineke Dijkstra: A Retrospective." Ms. Dijkstra is a Dutch photographer who takes large-format pictures of human beings at moments of change and transition, and their humanity is so much on display, so rich and beautiful and specific and true, that these single images feel like entire character studies. She specializes in pictures of children and teenagers, like this one above. . . . The instability of the way this boy is standing, his slightness and off-centeredness; the vulnerability established by his near-nakedness and his size vs. the endless sea behind him; his watchful gaze, not fully trusting or warming to the photographer -- and rightly, as she's caught so much of him; and the promise of the man inside him, learning how to look strong, how much of himself he should give away:  I find this image (and nearly every other picture in the show) both wonderful and heartbreaking in its ability to see and capture all of that. I want to read novels about all of her people.

The show included five video installations that likewise focus on individuals, in locations ranging from a dance club to an art museum, against simple backgrounds, so their actions and words speak for themselves. This one, for instance, "Ruth Drawing Picasso," was nearly six minutes of a single shot of a girl making her own sketch of a Picasso painting (this visitor-shot excerpt is just 42 seconds):

And as boring as that may sound, the film kept me fascinated for all six minutes, simply because it felt so wonderfully rare and fresh to do nothing but look at another human being for a sustained period of time, as Ms. Dijkstra does. More than that, Ruth doesn't seem self-conscious about being watched, as many of the kids in the dance-club videos do (and as I always do on camera); she sighs, draws a line, scratches it out, gropes for a pencil, looks around at her friends, looks up at the painting and down at her paper again, draws another line. . . . It's such an honest portrait of the creative process, and of a human being in general, that I felt my heart warm toward Ruth for all of her particularities, including those I recognized in myself. Thus the exhibition did what the best art (to me) always does:  It made me love the world more, and the people in it, in all of our vulnerable, pained, ephemeral glory, and made me feel thankful we're all here together -- with Ms. Dijkstra and her camera to capture us.

At the Guggenheim, Fifth Avenue and 89th St., through October 8.

The Scholastic Fall 2012 Librarian Preview + Giveaway

Now live and in your computer! It's your chance to see me and many of my Scholastic colleagues talking about the books we're publishing and love. Here's the whole thing, just under an hour long:



Or you can go to the preview page to view the preview by age range or formats. My books are, in the middle-grade section:
  • Stealing Air by Trent Reedy (with a special appearance by Trent himself!)
  • The Encyclopedia of Me by Karen Rivers (a book that came to me as a SQUID!)
  • The Savage Fortress by Sarwat Chadda (presented jointly with Arthur, who represents Geeks, Girls, and Secret Identities by Mike Jung)
And in YA, Amber House, by Kelly Moore, Tucker Reed, and Larkin Reed, a very smart mother-and-daughter team.

I'll give away two galleys of each of them, to eight commenters chosen at random. Your task, commenters: Tell my fiance & me where we should go on vacation this summer. We can't decide.

Making the Leap

I posted a link to this on Twitter, but it was so delightful I wanted to share it here too:


Not only is it a scene straight out of a middle-grade novel, but what a perfect metaphor for the courage it takes to do so many things -- to start off, or speak up, or stay still -- and the pleasure and accomplishment of moving through that fear. My goal today:  to be as badass as this fourth-grader.

A Blogiversary!

Today is March 4, and that means it is the seven-years-and-one-month blogiversary of Brooklyn Arden. I will allow these fine gentlemen to express my feelings on the occasion:


Some other things to celebrate:
  • Words in the Dust by Trent Reedy was named a Golden Kite Honor Book for Fiction by the SCBWI!
  • My Plot + Structure Master Class for the Inland Empire SCBWI went well on Saturday, and while my brain felt finely fricasseed afterward, it has now recovered!
  • I just ordered a second printing of Second Sight!
  • It is Sunday night and I just watched an episode of Sherlock I have never seen in full! (It was "A Study in Pink," and it was delightful.) 
Here's wishing you all many Kool, exclamation-point worthy good things this week.

How I Spent My February Vacation

Thanks to the magic of frequent-flyer miles and my good friend Donna Freitas, I ran away to Barcelona! If you'd like to see pictures, you can check them out here.

(The lovely thing about the Internet for vacation photos:  I can enthuse about Gaudi and goofy Catalan words for as long as I like, and you can ignore me as much as you like. We both win!)

A brief video of a brooch I would not want to wear, from the Dali museum in Figueras:


And, for the hell of it, another video of some food I did actually eat. The restaurant was called the "Buffet Giratorio," which I found delightful. It was amazingly hypnotic just to sit there and watch it go by.


(These video selections, and this post as a whole, are brought to you by my jetlag. Also my smartphone, which is why the quality is not great.)

I read Bossypants by Tina Fey, a short biography of the aforementioned Gaudi, and about 150 pages of The Art of Fielding on the trip. The Gaudi biography was disappointing, because I wanted it to go inside his head and explain his bravery and vision and imagination, and it's well-nigh impossible to do that with a genius. But Bossypants is terrific about all the joys and contradictions of being a woman in the modern age, even if (especially if, I suppose) you're as awesome as Tina Fey, and it's hilarious as well.

The business part of the trip:  Donna is the author of this also thoroughly delightful book, coming out in June, edited by moi. It is exactly the book I would have wanted to read as a preteenager obsessed with gymnastics, and our "business" consisted of discussing the fact that not one but TWO Newbery Medal winners have now blurbed it. Yay!



If you'd like to win a galley of it, let's see -- tell me what international city you'd most like to run away to and why, and I will do a random drawing before the end of the month.

Now it is back to work for me. Here is wishing you unexpected joys like mosaic-covered dragons and all-you-can-eat raw fish on conveyor belts wherever you are.

"The Ballad of Erica Levine" by Bob Blue

I always enjoyed singing this song at Carleton's Folk Sing (consider your snarky remark about folk singing acknowledged here), and I post it now in honor of both "Breaking Dawn" and smart young feminists like Erica Levine, and with sincere wishes for you all to have a life like the last two lines.



When Erica Levine was seven and a half
Up to her door came Jason Metcalfe
And he said, "Will you marry me, Erica Levine?"
And Erica Levine said, "What do you mean?"
  "Well my father and my mother say a fellow ought to marry
  And my father said his brother, who is my Uncle Larry
  Never married and he said Uncle Larry is a dope---
  So will you marry me?" Said Erica, "Nope."
"My piano teacher's smart, and she never had to marry
And your father may be right about your Uncle Larry,
But not being married isn't what made him a dope.
Don't ask me again, 'cause my answer's 'Nope'."

When Erica Levine was seventeen
She went to a dance with Joel Bernstein,
And they danced by the light of a sparkling bobby sock,
'Cause the theme of the prom was the history of Rock.
  And after the prom, Joel kissed her at the door,
  And he said "Do you know what that kiss was for?"
  And she said "I don't know, but you kiss just fine."
  And he said "What it means is that you are mine."
And she said "No, I'm not!", and she rushed inside
And on the way home, Joel Bernstein cried
And she cried, too, and wrote a letter to Ms.,
Saying "This much I know: I am mine, not his."

When Erica Levine was twenty-three
Her lover said "Erica, marry me.
This relationship is answering a basic need
And I'd like to have it legally guaranteed.
  For without your precious love I would surely die
  So why can't we make it legal?" Said Erica, "Why?
  Basic needs, at your age, should be met by you;
  I'm your lover, not your mother---let's be careful what we do.
If I should ever marry, I will marry to grow,
Not for tradition, or possession or protection. No!
I love you, but your needs are a very different issue."
Then he cried, and Erica handed him a tissue.

When Erica was thirty, she was talking with Lou,
Discussing and deciding what they wanted to do.
"When we marry, should we move into your place or mine?
Yours is rent-controlled, but mine is on the green line."
  And they argued and they talked, and they finally didn't care
  And they joined a small cooperative near Central Square.
  And their wedding was a simple one, they wanted it that way.
  And they thought a lot about the things that they would choose
     to say.
"I will live with you and love you, but I'll never call you mine."
Then the judge pronounced them married, and everyone had wine.
And a happy-ever-after life is not the kind they got,
But they tended to be happy more often than not.

Lyrics via http://sniff.numachi.com/pages/tiELEVINE;ttELEVINE.html

Thank You, Jimmy Fallon

I have never seen a complete episode of "Late Night with Jimmy Fallon," but I now owe him for two of my favorite TV moments of the past year (both of which I actually watched on YouTube, natch). First the terrific opening to the 2010 Emmy ceremony:



And then, from this past Friday, Stephen Colbert singing Rebecca Black's "Friday" with assorted guests (infinitely better than the original):



I love the way the delights just add up and cascade over in both of these videos -- first the cast of "Glee," and then Tina Fey! And Jon Hamm!* And Hurley! Or Stephen Colbert, and then the poker-faced Roots, and then the rapper guy and Jimmy Fallon, then the first mystery musical guest . . . And the performances also embody two of the things I love most about musical theatre in general: a whole community working together in glorious harmony, and the perfect balance between unfettered expression of an emotion and planned-down-to-the-second choreography. Sigh.

* Emily and I were discussing the news that Mad Men won't be back until early 2012, and she posed a terrifying conundrum: What if Season Five of Mad Men and Season Two of Downton Abbey are on Sunday nights at the same time? Which group of complex, lusty, class-driven, fabulously dressed characters would I choose to follow through their complicated, often backstabbing, money-drenched, totally character-driven plots first? I've known the Mad Men people for longer (and there's the whole mystery of who that newly important character actually is deep down that we'll need to discover), but Downton Abbey has both World War I and Bates's wife coming, and all those hats. . . . Sigh deux, with the sincere wish that such a soul-rending choice can be avoided.

Video: Trent Reedy & I Discuss WORDS IN THE DUST

When I was in Boise, Idaho, in September for the Idaho SCBWI conference, author Trent Reedy drove over from Spokane to film a video for the Scholastic Librarian Preview Webcast, promoting his wonderful novel Words in the Dust.


During a break in our formal video shoot, Trent and I talked at a little more length and in a little more depth about the book, its backstory, how it was written and edited, his friendship with Katherine Paterson (who wrote a lovely introduction for the book), and sundry other topics. You can see that conversation in two parts here:



(Aren't those just the most attractive stills ever?) There will be more excitement with this book coming later this week; in the meantime, I hope you enjoy this glimpse of the most excellent Trent and the book, and our conversation.

In Which I Make Up for My Lameness with Cute Boys Singing

As far too many of my posts begin:  Apologies for the bloggy silence of late. I spent the last week traveling to Washington, D.C., for the Rally to Restore Sanity; Cape Girardeau, MO, to see my dear friend Katy (who some of you might recognize as the proper heroine of The Bad Mood Banana Cookies, now a terrific professor of history at Southeast Missouri State); home near Kansas City; Manhattan, Kansas, where I talked a lot and stayed at the marvelous Morning Star Bed and Breakfast (highly recommended); and then home again, where my family had a wonderful early Thanksgiving, and my Uncle John won the Frog for the first time ever. The trip marked the culmination of two intense writing projects I'd been laboring over for a while, including the second-pass proofs of Second Sight, and as a result, I've been taking off non-work writing for a bit. But I thought a lot during all the traveling, and I hope to have time and space to put some of those thoughts down soon.

Kidlit Drink Night on Thursday night the 11th, here in Brooklyn. Betsy has the details.

In the meantime, oh my glory! Handsome boys in uniform! Singing acapella! With a star who once played Harry Potter (unauthorized)! The look on Kurt's face! I LOVE this and can't wait to see tonight's episode:

The Scholastic Spring 2011 Librarian Webcast

On Tuesday, Scholastic broadcast our Spring 2011 librarian preview across the web, with a number of editors, including moi, giving delicious little glimpses of some of the delights on the spring list. You can watch the preview (hosted by our intrepid School & Library Marketing Director, John Mason) here:

Scholastic Librarian Preview

If you're interested in Arthur A. Levine Books books particularly, you can see our books as follows:
  • At 7:59, Arthur discusses his forthcoming picture book, Monday Is One Day, illustrated by Julian Hector, with his editor for the book, Andrea Davis Pinkney.
  • At 18:51, he introduces Sidekicks, a super-awesome graphic novel by Dan Santat, edited by my friend (and yours) Rachel Griffiths.
  • At 20:17, fans of Ferragamo and Susan Shreve will adore The Lovely Shoes.
  • At 21:40, GENIUS ALERT! See selections from Shaun Tan's new compendium, Lost and Found.
  • And at 23:55, Trent Reedy and I talk about his wonderful middle-grade novel set in Afghanistan, Words in the Dust. (Apparently I move around a lot when I think I'm sitting still.)
And there is lots of other Scholastic-y goodness in there as well. Hope you enjoy!

See My Friend's Movie!

When I was a senior in college, I was selected to attend the Telluride Film Festival Student Symposium, where I met my friend Jeff Reichert. He and I both ended up in New York after graduation, and while I immersed myself in publishing and children's books, he became a fixture in the world of independent film and film criticism, working in marketing for several indie distribution companies and cofounding an excellent film journal called Reverse Shot.

Then a couple of years ago, Jeff decided to take the plunge:  He quit his job and became a full-time documentary filmmaker. His subject:  gerrymandering, the manipulation of Congressional district lines for political gain.



This process happens every ten years, after the Census numbers come in, so it was a film tailor-made for 2010, and Jeff worked terrifically hard to get the film done in time. He interviewed Arnold Schwarzenegger in California, lawmakers in Texas (the famous group of Democrats that hid out in Oklahoma for days to prevent the Republicans from redrawing district lines), and a representative from our neighborhood here in Brooklyn. He shot and edited and shot and edited and essentially went into a two-year filmmaking cave.

This week, all that hard work is paying off as Gerrymandering hits theatres. I saw its world premiere at the Tribeca Film Festival last spring, and it's smart, sharp, funny and passionate -- a film guaranteed to get both Democrats and Republicans talking, while offering some nonpartisan solutions to this knotty political problem. The reviews have been great, and it's even been talked up for the documentary film Oscar! Gerrymandering is showing in a series of one-night stands across the U.S. this week, and then opening in New York, Los Angeles, San Francisco, and San Diego on Friday, before spreading wider later this fall. If you're a fan of politics, passion projects, or just really smart filmmaking, please check it out. And yay, Jeff!

Insert Your Own Title Here

Because it's summer, which means I'm too lazy to come up with a proper blog title, much less a thoughtful post. Fortunately, I have awesome authors who make hilarious videos:



Lisa's Bobby vs. Girls (Accidentally) is now in paperback, by the way! And Bobby the Brave (Sometimes) will be out next month. More on that (and all our fall releases) soon. (And did you know you can friend Arthur A. Levine Books on Facebook?)

Speaking of the fall, I'm going to speak at three different SCBWIs in the next three months:
I'm having a lot of fun giving my "Twenty-two* Revision Techniques" speech (*the number varies depending on the time allotted and how fast I talk), so that's likely the one you'll see at these events. (The book version contains a whole twenty-five!)

Martha Mihalick posted a very true and well-done "Editor's Choose Your Own Adventure" here.

Finally, I loved Scott Pilgrim vs. the World, as a lot of kidlit people did/do (I saw it with a colleague and ran into a party of two agents, two authors, and at least one other editor as I left the theatre). Why? Because it's everything most of us are looking for: It's got great characters; it brilliantly captures those characters at a key moment in their emotional development (in this case, that twentysomething "What the hell am I doing with my life and will I ever make a relationship work? Thank God for my friends while I figure it out" moment); the book art is unique, emotionally charged, and efficient; and -- the key thing, I think -- it has great moral development and consequently a really good character-plot structure, as Ramona and her seven evil exes force Scott into a place where he has to grow up and be a better man . . . exactly like the outline here, actually. The videogame stuff is all window dressing on that. And it's hilarious, besides (especially if you get the videogame stuff). Highly, highly recommended.

ETA: I forgot the other thing I wanted to say about the greatness of Scott Pilgrim: The fantasy served as a metaphor for a larger emotional situation or problem, as happens in nearly all good fantasy, I think (Fellowship of the Ring = World War I, Moribito II = coming to terms with the past, Harry Potter = facing death, the Chanters of Tremaris series = multicultures trying to work as one, etc. Quite often when I turn down a fantasy, it's because it's not going for this metaphorical level, so it just feels like the problems of some oddly named people in a made-up world). In SP's case, it's about working through the baggage of past relationships and figuring out how to establish an honest basis for moving forward in a new one.

Video Sunday: Great Literary Love Songs

I love books, music, and romance, so here's a fun little video playlist of songs that celebrate all three things. And I'm always looking for more (or any song with "Book" in the title, really), so if you have one to suggest, please leave it in the comments.

Great doo-wop fun: "Who Wrote the Book of Love?" by the Monotones, performed here by Sha Na Na.

The first literary love song I ever knew, thanks to the "When Harry Met Sally . . ." soundtrack: "I Could Write a Book," music by Richard Rogers, lyrics by Lorenz Hart, performed here by Frank Sinatra and Kim Novak in the film of the musical in which it first appeared, "Pal Joey":



"Everyday I Write the Book," by Elvis Costello (thanks to my friend Ben for introducing me to this one):



I'm including this video because it seems like the result of a lot of teenage daydreaming about love as it's presented in books. . . . It's exactly the fantasy I would have had at age 15, after swooning over "Romeo and Juliet" in Honors English I and watching the Keira Knightley "Pride and Prejudice" two hundred times. And I'm also including it because, ah hell, I love this video now: "Love Story" by Taylor Swift:



But a much better and more honest song about love, and one of my all-time favorite songs, period, is "The Book of Love" by the Magnetic Fields, performed gorgeously here by Nataly Dawn:



And finally, to finish on a fun note, "My Baby Loves a Bunch of Authors," by Moxy Fruvous:

A "Baby Got Book" video!

Two years ago, for the fun of it, I wrote new literary lyrics to Sir Mix-a-lot's classic "Baby Got Back": a filk entitled "Baby Got Book," rapped by a narrator who only makes passes at girls who wear glasses (and are probably librarians to boot). Anyway, agent Janet Reid mentioned it on Twitter last week, and as a result, Gale Martin made it into this hilarious and highly enjoyable music video. Thanks, Gale!

A Silly Specification Experiment

As an antidote to the February blahs, here's a fun little writing experiment I hope you all might help me out with.

Step 1: Watch the extremely goofy 10-second video below.



Step 2:
Without looking at any of the comments on this post, write a sentence describing what happens in the video. You may rewatch the video if you like.

Step 3: Post your own sentence in the comments.

The hypothesis and rationale for this experiment will be given at a near-future date; in the meantime, rest assured there are no wrong answers here. And thank you to all who participate!